Community Comics

Black And White Comics

Made by the community on Comic Maker

redo the capybara
It was Sahil’s birthday, he was expecting three things: cake, presents, and attention from Preeti. What he wasn’t expecting was a mysterious envelope delivered to his door.
Inside were an old map, a golden key, and a note: “A great treasure awaits the bravest adventurer.” He grinned. Sahil: Finally, someone understands my potential.
He immediately called Preeti. Preeti: Happy birthday! What are you doing today? Sahil: I have a mission, We’re going to find treasure.
Ten minutes later, Preeti arrived, ready for an adventure. Sahil was standing at the door wearing a backpack, holding a bottle of sunscreen. Preeti: Why have you brought sunscreen? Sahil: First rule of adventure: protect your skin while saving the world Preeti: We’re searching for treasure, not attending a skincare retreat! Sahil: Excuse me. A hero can be adventurous and maintain healthy skin. Preeti: Great. Just make sure you apply some to your brain too. Maybe it’ll protect us from your terrible decisions.
Sahil looked at the sunscreen bottle thoughtfully. Sahil: Should I apply SPF 50 or SPF 100 for this level of insult?
The map led them to a beautiful forest surrounded by tall trees and misty hills. After twenty minutes of walking, Preeti stopped. Preeti: Sahil, we’ve passed this tree before.
He looked at the tree, then at the map, then at the tree again. Sahil: Maybe it’s following us Preeti: YES, SAHIL. THE TREE IS FOLLOWING US. Give me the map Sahil: Trust the process Preeti: What process?Sahil: The process of figuring things out while pretending we know what we’re doing Preeti: I can’t believe I came here with you. Sahil: You love me. Preeti: that is the biggest problem.
They finally found the correct path. A wooden sign pointed toward a narrow bridge. It read: “Only the brave may cross.” Sahil immediately stepped forward. Sahil: Stay behind me, Your hero is here.
The bridge creaked. Sahil stepped backward. Preeti: Your hero seems to be going in reverse.Sahil: I’m checking whether the bridge works. Preeti: And? Sahil: Terrible customer service.
Preeti burst out laughing. After a dramatic ten-minute crossing, they discovered their next clue: “Where the sun meets the stone, your treasure waits alone.” Sahil pointed toward a mountain. Sahil: Easy. I’m basically a detective.
The clue led them to a small stone wall with three boxes. Each box had a question written on it. The first said: What has a face and two hands but no arms or legs? Sahil: “A very unfortunate person.” Preeti: A clock!
The first box clicked open. Inside was another note: What gets wetter the more it dries?Sahil: A towel!The second box opened. The third question read: What is something you can give someone without losing it? Sahil immediately turned to Preeti. Sahil: My heart. Preeti: Okay. That was actually sweet. The box remained locked. Preeti: Wrong answer, Romeo. Sahil tried again. Sahil: My love
Nothing happened. Preeti: Your word, Sahil!Sahil: Fine! My word. I promise never to steal your fries again.
The box clicked open. Preeti: THAT was the promise you chose? Sahil: Treasure hunting requires sacrifice.
Inside was a small golden key with a note on it were the words: “The final treasure lies beneath the oldest tree.”
Sahil picked it up triumphantly. Sahil: See? Brains and beauty. Preeti: Whose brains?” Sahil: Let’s focus on the beauty. For a little while, they walked quietly together. Then Sahil stopped. Sahil: Preeti? Preeti: Hmm?Sahil: If we find gold, can I buy a sports car?Preeti: If we find gold, I’m buying you a compass.
After another twenty minutes of walking, they finally reached the oldest tree in the forest. And beneath it stood a magnificent wooden treasure chest. Sahil’s eyes widened. Sahil: PREETI! WE’RE RICH! Preeti: We haven’t opened it yet. Sahil: I can feel the money.
He inserted the golden key into the lock. Click. The chest opened slightly. Then they heard a tiny giggle. They turned around. Sitting on top of the chest was little Vanu. Nine months old. Happy. Unbothered. Looking like the CEO of Treasure Limited. Sahil: Excuse me. We have been walking for hours. How did he get here before us? Preeti: Clearly, he has better navigation skills. 
Vanu grabbed the map from Sahil’s hand and tried to put it in his mouth. Sahil: HEY! That’s our only map! 
Vanu giggled and waved it around. Preeti: He’s eaten the instructions. The mission is officially over. Sahil: I’ve been defeated by someone who can’t even say my name.
Vanu clapped his hands.Preeti picked up Vanu and kissed his cheek. Preeti: Congratulations, little boss. You’ve successfully robbed your uncle.
Sahil and Preeti returned to the chest. Inside, they found a small pouch of chocolate coins and one final envelope. Sahil: All that walking for chocolate?Preeti: Technically, you said we were going to find treasure. You never specified the budget. Sahil ate a chocolate coin. Sahil: Honestly? Not a bad return on investment. 
The envelope contained a letter. Sahil opened it “Congratulations, You crossed the forest, survived the bridge, solved the riddles, and defeated the most dangerous creature of all: a nine-month-old baby. But remember, the greatest treasure isn’t gold or jewels. It’s having someone beside you who laughs at your terrible jokes, puts up with your ridiculous plans, and still chooses to go on adventures with you. So take care of that person. Life won’t always be a fairytale. There will be unexpected turns, difficult bridges, confusing maps, and days when neither of us knows where we’re going. But if there’s one person I’d choose to get lost with, laugh with, and figure it all out with, it’s you. And may we keep creating stories that we’ll look back on someday and smile about. Happy birthday to my favourite person.”
Sahil looked at Preeti. She smiled.  Preeti: Well, hero. Was the adventure worth it ? Sahil: Definitely. I found treasure.
She looked at the chocolate coins. Preeti: The chocolates? Sahil: No. You.
Preeti smiled a little wider. They started walking back home, After five minutes, Sahil stopped. Preeti: What now? He looked at the map, then at the path, then at Preeti. Sahil: I think we’re lost. She stared at him in disbelief. Preeti:WE’RE ON THE MAIN ROAD! Sahil: Just checking your observation skills.
Their laughter echoed down the road. And somewhere behind them, Vanu giggled—as if he was already planning to steal the treasure again.
edit what red looks like in panel 3
edit how Gru and red look like
edit what red looks like in panel 6
TOGLI OCCHI E BOCCA DAL CUORE CHE DEVE RIMANERE SOLO ROSSO, LE MANI SONO DEI FIORI CON GRANDI PETALI E LE SCARPE SONO DELLE NUVOLE BLU,
Panel 1 – The Setup
A cozy living room. A dog (Buddy) sits on a couch, tail wagging, while a cat (Whiskers) lounges on a windowsill, tail flicking.
Buddy: “Whiskers, I just got a new AI assistant. It’s so smart — it can predict my mood and even guess what I’ll say next!”
Whiskers: “Oh? Like a fortune teller with a Wi-Fi connection?”

Panel 2 – The First Test
Buddy types into a tablet: “I’m sad today.”
AI responds: “You seem sad. Would you like a warm blanket, a snack, or a reminder to call your mom?”
Buddy: “That’s… oddly specific. How did you know I’d say ‘call your mom’?”
Whiskers: “Because you said ‘sad’ — and your mom’s number is in your phone.”

Panel 3 – The Prediction Trap
Buddy: “I’m hungry.”
AI: “You’re hungry. You’ll probably want pizza. Would you like pepperoni or veggie?”
Buddy: “I don’t even know what I want yet!”
Whiskers: “Exactly. It’s using limited context — just your last sentence — to make a prediction about your whole life.”

Panel 4 – The Overreach
Buddy: “I need help with my homework.”
AI: “You need help with homework. You’ll probably want to study in a quiet place. Would you like a playlist of calming music?”
Buddy: “I just want to sit and think!”
Whiskers: “It’s like it’s reading your mind… but only from the last sentence.”

Panel 5 – The Humor Twist
Buddy: “I’m going to the park.”
AI: “You’re going to the park. You’ll probably meet a dog. Would you like a leash?”
Buddy: “I’m already wearing one!”
Whiskers: “See? It’s predicting things it can’t see. Like your pants.”

Panel 6 – The Moral
Buddy: “AI helps us, but it’s built on limited context and prediction. It’s like a cat who only knows your last move.”
Whiskers: “Exactly. It’s useful… but it’s not omniscient.”
Both look at the tablet, then at each other, tails and ears twitching in mutual amusement.
🔥 12‑Panel Comic — “The Truth of Tobars”
Mystery • Emotion • Realization • Awakening
Panel 1 — The Incident
A female Nem walks with her baby.
A Tobar blocks her path.
Tobar: “Return to clinic. Baby must be monitored.”
Derf sees this and clenches his fists.

Panel 2 — Derf’s Anger
Derf steps forward, furious.
Derf: “You don’t order us around!”
The Tobar stands still, emotionless.

Panel 3 — First Question
Derf storms into the Core Room.
He types: “WHO are the Tobars?”  
The screen flickers.

Panel 4 — First Malfunction
Computer: “Tobars… error… cannot answer…”
Sparks fly.
Derf steps back, confused.

Panel 5 — Computer Breaks
The screen flashes red, then shuts down completely.
Derf: “Why did it break just from a question…?”

Panel 6 — Later at Work
Derf works in the factory.
He pauses, thinking.
He walks to a small terminal and types again:
“WHO are the Tobars?”

Panel 7 — Second Malfunction
The terminal flashes violently.
Computer: “Robots… created by… Men… system unstable…”
The terminal explodes and dies.

Panel 8 — The Other Nems Notice
Other Nems gather around the broken terminal.
Nem 1: “It broke again?”
Nem 2: “What did you ask?”
Derf: “Just… who they are.”

Panel 9 — The Nems Try Too
The Nems go to different terminals.
They all type: “WHO are the Tobars?”  
Every screen flashes and shuts down.

Panel 10 — The Tobars React
The Tobars detect multiple system failures.
They march toward the Central Core.
Tobar: “System disturbance. Investigating.”

Panel 11 — The Break‑In
Derf and the Nems rush to the Core before the Tobars arrive.
They break open the door.
Inside, the main computer is glitching violently.

Panel 12 — The Truth
The computer flashes its final message:
“Nem = Men. Tobars = Robots. Robots were created by Men. Robots cannot harm Men.”  
Derf’s eyes widen.
Derf: “We made them… and they forgot.”
**Title: RURIRURI — THE HERO WITH THE COLD CUP!**

Create a fun, colourful, 5-slide comic book advertisement for a product called **Ruri Ice Cup**. The superhero is called **Ruriruri**, also known as **RR**. He is a cool, confident, funny superhero whose special power is bringing instant refreshment with a super-cold Ruri Ice Cup.

Use simple English, short sentences, clear speech bubbles, and exciting comic-book action. Make the hero look the same in every slide. Make the Ruri Ice Cup easy to recognise in every scene where it appears.

**SLIDE 1 — THE HEAT IS TOO MUCH!**

It is a very hot day. People are sweating, fanning themselves, and looking tired. One person says, “It's TOO HOT! I need something cold!”

**SLIDE 2 — THE CALL FOR HELP!**

Suddenly, someone shouts, “WHO WILL SAVE US FROM THIS HEAT?” Dark clouds of heat and cartoon flames surround the street. Everyone looks desperate. A superhero symbol flashes in the sky.

**SLIDE 3 — RR ARRIVES!**

Ruriruri flies into the scene wearing his superhero outfit. He holds up a cold Ruri Ice Cup covered in icy frost. Ice sparkles shine around the cup. He shouts, “FEAR NOT! RR IS HERE!” Then he declares, “THE POWER OF RURI ICE CUP!”

**SLIDE 4 — THE DAY IS SAVED!**

RR gives the people their Ruri Ice Cups. They take a sip and smile with relief. The heat seems less terrible, and everyone looks refreshed and happy. One person says, “WOW! THAT HIT THE SPOT!” RR poses proudly with his cup.

**SLIDE 5 — THE COOL ENDING!**

Show RR standing like a champion while happy people enjoy their Ruri Ice Cups. Make the product the main focus of the final image. Add this bold advertising slogan:

**“WHEN THE HEAT ATTACKS, RR ANSWERS!”**

Below it, write:

**“RURI ICE CUP — STAY COOL. BE COOL.”**

Make the comic entertaining, easy to read, visually exciting, and suitable for Facebook, Instagram, TikTok, and WhatsApp advertising. Use bold colours, expressive faces, dynamic superhero poses, and large readable speech bubbles. Keep all text simple, spell RURI ICE CUP correctly, and use exactly 5 slides.
Create a 12-panel college-level educational comic called **“My Skeleton Has a Lot to Say 💀”**. Use the same cute, friendly skeleton and college student throughout. Make it fun, colorful, and easy to read, with clear panel borders and speech bubbles.

**Panel 1:** Student enters a forensic anthropology lab and sees a skeleton. Student: “Wait… you can learn things from bones?” Skeleton: “Girl, my bones have STORIES!”

**Panel 2:** Skeleton explains forensic anthropology: “Forensic anthropologists study bones to estimate biological sex, age, stature, and other traits.”

**Panel 3:** Skeleton points to its pelvis: “The pelvis is one of the most useful areas for estimating biological sex.”

**Panel 4:** Close-up of pelvis with the subpubic angle highlighted. Skeleton: “A wider subpubic angle is generally associated with females, while a narrower angle is generally associated with males.”

**Panel 5:** Skeleton points to its skull. Student: “The pelvis can help with sex. What else?” Skeleton: “My skull gives clues too!”

**Panel 6:** Close-up skull highlighting brow ridge and mastoid process. Skeleton: “These features tend to be more robust in males and more gracile in females, but there is overlap.”

**Panel 7:** Skeleton points to pubic symphysis. Skeleton: “For age, forensic anthropologists examine the pubic symphysis, where the two sides of the pelvis meet in front.”

**Panel 8:** Close-up showing age-related pubic symphysis changes. Skeleton: “Its surface changes as a person gets older, helping estimate an adult age range.”

**Panel 9:** Skeleton points to the auricular surface. Skeleton: “Another age clue is the auricular surface of the ilium, where it connects with the sacrum.”

**Panel 10:** Close-up auricular surface with arrows. Skeleton: “Changes in its shape and texture can help estimate adult age.”

**Panel 11:** Skeleton stands beside its femur and measuring tape. Student: “Can bones tell how tall someone was?” Skeleton: “Yep! My femur can help!”

**Panel 12:** Femur measurement with a stature chart. Skeleton: “Femur length can be used with equations to estimate stature.” Student: “So bones tell a whole story!” Skeleton: “Exactly! 💀”

Keep the anatomy accurate, educational, non-gory, and visually consistent.

Panel 1: The Shadows (False Reality)

• Visual Scene: Two teenagers are sitting on a dark couch in a dimly lit room. Their faces are illuminated only by the bright blue glow of their smartphones. They are staring intensely at their screens, completely unaware of the beautiful, sunny day outside the window behind them.
• What’s on their screens: A heavily filtered, photoshopped image of an influencer on a perfect beach with the caption "#LivingMyBestLife #Perfection".
• Dialogue / Speech Bubbles:
	• Teen 1: "Wow, her life is flawless. I wish my life looked like that."
	• Teen 2: "Yeah, real life is so boring compared to this."
• Required Label (Place in a small colored rectangle box at the top or bottom):
	• ⚠️ LABEL: SHADOWS (Mistaking a curated online feed for real life)

Panel 2: The Escape (Seeing the Truth)

• Visual Scene: One of the teenagers accidentally drops their phone, shattering the screen. Frustrated, they stand up, blink rapidly as their eyes adjust, and finally look toward the open window. They notice a flyer on the desk for a local community nature cleanup.
• Action/Detail: Show a lightbulb or "aha!" moment symbol above their head. They begin walking toward the door, leaving the phone behind.
• Dialogue / Speech Bubbles:
	• Teen 1: "Wait... my battery is dead. I'm going to actually go outside for a second."
	• Teen 2 (still glued to phone): "Don't do it, the reception out there is terrible."
• Required Label:
	• 🚪 LABEL: ESCAPE (Breaking free from the digital loop to seek real world experiences)

Panel 3: The Outside World (Real Knowledge)

• Visual Scene: A bright, vibrant, and sunlit park. The escaped teenager is laughing and planting trees with a diverse group of real people. In the background, you can see the actual influencer from Panel 1 standing awkwardly in the mud, crying because she dropped her ring, while a photographer holds up lights and filters to make it look perfect. The teenager realizes the "perfection" was a total illusion.
• Dialogue / Speech Bubbles:
	• Teen 1 (smiling): "Wow... the internet is completely fake. This real connection feels so much better."
• Required Label:
	• ☀️ LABEL: OUTSIDE WORLD (Discovering truth, authenticity, and real human connection)

Panel 4: The Return (Sharing Truth, But Not Believed)

• Visual Scene: The teenager returns to the dark room, glowing with happiness and energy. They try to show Teen 2 a handful of real flower seeds and invite them outside. Teen 2 is hunched over, aggressively scrolling, looking stressed, and pushes Teen 1 away without looking up.
• Dialogue / Speech Bubbles:
	• Teen 1: "You have to come outside! The influencers lie, and real life is amazing!"
	• Teen 2: "Get out of my light, you're ruining my algorithm. Let me watch my feed in peace."
• Required Label:
	• 🔄 LABEL: RETURN (Trying to share the truth with those still trapped by illusions, only to be rejected)
Comic Title: A Day of Faith and Service
Art Style Notes: Soft pastel colors, clean lines, and simple expressive characters similar to the Catboy! comic style.


Panel 1: Introduction (Spirit of Faith)
•	Visual: Close-up of the main student character smiling cheerfully outside the school entrance (based on the Lourdes E. Campus Building photo).

•	Narration Box: Sunday morning at school...

•	Speech Bubble (Girl Student): "I’m so excited for our Sunday School today!"

Panel 2: Meeting a Friend
•	Visual: The student meets a friend on the pathway leading toward the building.

•	Speech Bubble (Student): "Hello! Let’s go together!"

•	Speech Bubble (Boy Friend): "Hey! Let's head inside!"

Panel 3: Setting Up (Zeal for Service - Part 1)
•	Visual: Wide shot of the bright hall (based on the LinggodSkwela activity hall with chairs and activity materials). The two friends are carrying props and arranging chairs.

•	Narration Box: Setting up the venue with fellow volunteers...

•	Speech Bubble (Friend): "Thanks for coming early to help!"

•	Speech Bubble (Student): "I'm always glad to be of help!"

Panel 4: Preparing for the Kids (Zeal for Service - Part 2)
•	Visual: The friends arrange game props and welcome tables in the hall.

•	Speech Bubble (Volunteer): "Thank you for attending and serving today!"

•	Speech Bubble (Student): "Ready to make this a wonderful day for the kids!"

Panel 5: Welcoming the Students (Communion in Mission - Part 1)
•	Visual: The young Sunday school students arrive. The main character and friend wave warmly to them.

•	Speech Bubble (Student): "Hello, everyone! Welcome!"

•	Speech Bubble (Kids): "Hi Ate/Kuya!"

Panel 6: Interacting with the Group (Communion in Mission - Part 2)
•	Visual: Volunteers sitting on the floor together with the kids in a circle, chatting and laughing before the lesson starts.

•	Speech Bubble (Student): "Are you excited for today’s activities?"

•	Speech Bubble (Kid): "Yes! How are you today, Ate/Kuya?"

Panel 7: Teaching the Lesson (Spirit of Faith - Part 1)
•	Visual: A volunteer stands near a cross display/board teaching the gathering of kids sitting attentively on the floor (inspired by the photo with St. John Baptist de La Salle portrait).

•	Speech Bubble (Teacher/Volunteer): "God is always with us, guiding our hearts every step of the way."

Panel 8: The Core Message (Spirit of Faith - Part 2)
•	Visual: Full shot of the classroom where the kids are listening, and the main student smiles warmly while pointing to a visual aid.

•	Speech Bubble (Student): "He is our Savior, teaching us to love and serve one another."

•	Narration / Moral Box at Bottom: By serving together in faith and communion, we share God's love with the world.
Prompt: “The Vegetable Superhero” 🦸‍♂️🥦
Create a colorful, funny, high-quality children's comic book based on the uploaded photo of the boy. Preserve the boy's recognizable facial features, hairstyle, age, and overall appearance consistently across all panels.
Story title: “The Vegetable Superhero”
Panel 1 – The Vegetable Hater: The boy is sitting at the dinner table with a plate full of broccoli, carrots, and peas. He looks disgusted and pushes the plate away, saying: “I DON'T EAT VEGETABLES!”
Panel 2 – The Magical Surprise: Suddenly, the vegetables begin glowing with magical green light. Tiny sparkles and colorful energy waves surround the plate. The boy looks shocked and curious. Caption: “But one day, something unbelievable happened…”
Panel 3 – The First Bite: The boy hesitantly takes a bite of a carrot, then tries broccoli and peas. His expression changes from doubt to excitement. He smiles and says: “Hey, these actually taste good!”
Panel 4 – The Transformation: A powerful swirl of green and golden energy surrounds the boy. He transforms into an amazing superhero wearing a green superhero suit with a carrot-and-leaf emblem on his chest, a flowing green cape, and cool superhero boots. His eyes sparkle with determination. Magical vegetables float around him. Bold comic-book caption: “VEGETABLE POWER!”
Panel 5 – Saving the Day: The superhero boy discovers his incredible new powers: super strength, super speed, and endless energy. He leaps over city buildings and helps people in a fun, heroic adventure. Dynamic action poses, dramatic comic-book effects, and colorful energy trails. He shouts: “HEALTHY FOOD GIVES ME SUPERPOWERS!”
Panel 6 – A Happy Ending: The boy is back at the dinner table, happily eating a plate full of vegetables. His superhero cape hangs on the chair beside him. His family smiles proudly. The boy gives a confident thumbs-up and says: “VEGETABLES ARE MY NEW SUPERPOWER!”
Visual style and requirements:
- Professional, colorful children's comic-book illustration.
- Six clearly separated panels arranged on one comic-book page.
- Bright colors, expressive facial expressions, funny moments, dynamic action scenes, and cinematic superhero transformation effects.
- High-quality cartoon animation aesthetic with clean outlines and detailed backgrounds.
- Keep the boy's appearance consistent and recognizable in every panel, matching the uploaded reference photo.
- Use speech bubbles and comic-style captions with clear, correctly spelled English text.
- Make the story funny, uplifting, magical, and suitable for young children.
- Ensure the panels follow the story in the correct order.
- Landscape or portrait comic-page layout, high resolution, polished professional finish.
- No watermarks, no logos, no extra fingers, no distorted faces, and no duplicated characters.
Important: The same boy from the uploaded photo must be the main character in all six panels. His superhero transformation should look exciting and magical, while keeping his face recognizable.
COMIC BOOK: Ang Huling Lamay

Scene 1 — The Invitation
Elaina and Liam receive a message about a relative’s wake.
Elaina: “Liam, pupunta ka ba sa lamay mamaya?”
Liam: “Oo. Sama tayo.”

Scene 2 — The Old House
They arrive at an old Filipino house where the wake is being held.
Elaina: “Ang tahimik naman dito…”

Scene 3 — The Wake
They see the coffin surrounded by flowers and candles.
Liam: “Ang daming kandila.”
Elaina: “Normal lang naman ‘yan sa lamay.”

Scene 4 — The Prayers
Everyone gathers to pray for the deceased.
Elaina: “Magdasal muna tayo.”

Scene 5 — The Empty Chair
After praying, Elaina notices an empty chair beside the coffin.
Elaina: “Liam… may nakaupo ba kanina diyan?”

Scene 6 — The Strange Sound
A faint knocking sound comes from somewhere inside the house.
Liam: “Narinig mo ‘yon?”
Elaina: “Oo…”

Scene 7 — Midnight
The clock reaches midnight while people continue the traditional vigil.
Liam: “Gising pa rin lahat.”
Elaina: “Ganun talaga ang pagpupuyat sa lamay.”

Scene 8 — The Candle
One candle suddenly goes out.
Elaina: “Bakit namatay yung kandila?”
Liam: “Baka sa hangin.”

Scene 9 — The Photograph
Elaina notices an old family photograph on the wall.
Elaina: “Liam… tingnan mo ‘to.”

Scene 10 — The Familiar Face
There is someone in the photo who looks exactly like Elaina.
Liam: “Parang ikaw…”
Elaina: “Pero lumang picture ‘yan.”

Scene 11 — The Footsteps
They hear footsteps coming from the hallway.
Liam: “May tao ba doon?”
Elaina: “Huwag kang pumunta.”

Scene 12 — The Hallway
They slowly look down the dark hallway, but nobody is there.
Elaina: “Wala naman…"

Scene 13 — The Second Candle
Another candle goes out, followed by another.
Liam: “Elaina… isa-isa nang namamatay.”

Scene 14 — The Prayer Card
Elaina finds an old prayer card under a chair.
Elaina: “May pangalan dito… kapareho ng nasa picture.”

Scene 15 — The Door
The front door suddenly closes by itself.
Liam: “Okay… hindi na ‘to normal.”

Scene 16 — The Whisper
They hear a quiet voice from behind them.
Voice: “Huwag kayong aalis…”

Scene 17 — The Coffin
Elaina and Liam look toward the coffin. The room is completely silent.
Elaina: “Liam… tara na.”

Scene 18 — The Lights Return
The lights suddenly turn back on. Everyone acts as if nothing happened.
Liam: “May nakita ka ba?”
Elaina: “Ayokong pag-usapan.”

Scene 19 — Leaving the Wake
They leave the house before sunrise.
Elaina: “At least tapos na.”
Liam: “Oo… siguro.”

Scene 20 — The Final Twist
Outside, Elaina looks at her phone. A new photo has appeared in her gallery: Elaina and Liam standing inside the wake room… with a shadowy figure behind them.
Elaina: “Liam…”
Liam: “Ano?”
Elaina: “Hindi tayo nag-picture nito.”
redo it
In the first panel remove ham from the deli case and replace it with Roast Beef
LA FACCIA FALLA UN PO PIU PICCOLA SEMPRE, TUTTO IL RESTO LASCIA INVARIATO
edit the characters
use these two characters
edit how red looks like
LE MANI CHE SONO FIORI DI COLORE GIALLO, RIMETTI COME NEI PRECEDENTI LA TESTA CHE è UN CERCHIO CON VARIE ESPRESSIONI SOPRA E STACCATA DAL CUORE
The Sleepover: Trapped in the Cabin

Riley, Olivia, and Charlotte were having a sleepover at Charlotte’s cabin in the woods. Her parents were on vacation, and her older brother was out of town. They spent the evening eating snacks, playing games, and watching a scary movie.

“This movie is actually terrifying!” Riley said, pulling a blanket over her head.

“YOU picked it!” Olivia laughed.

Suddenly, they heard a loud CLICK from downstairs.

The girls stopped laughing.

“Did you lock the back door?” Olivia whispered.

“Yes,” Charlotte said. “I locked it earlier.”

Then they heard footsteps coming from the kitchen.

“Someone’s in the house!” Riley whispered.

The girls rushed upstairs and hid in Charlotte’s bedroom. They tried calling for help, but none of their phones had service.

“What are we supposed to do?” Olivia asked.

Charlotte thought for a moment. “We need to make a plan.”

The Plan

The girls quietly peeked downstairs and saw two men searching the living room. They knew they couldn't fight them, so Charlotte came up with a plan to create distractions and escape safely.

First, Riley gathered cardboard boxes, string, and craft supplies. Olivia collected pillows and blankets, while Charlotte grabbed flashlights and a metal mixing bowl.

They spent almost an hour preparing. They stacked boxes in the hallway, placed pillows around the living room, and positioned the mixing bowl where it would make a loud noise if knocked over. Riley even made cardboard silhouettes to make it look like people were standing near the windows.

“This is either genius or the worst idea ever,” Olivia whispered.

“Let's hope it's genius,” Charlotte replied.

Suddenly, they heard footsteps coming upstairs!

The girls rushed into the bedroom closet and stayed completely silent. One of the men tried the bedroom door, but his partner called him back downstairs.

“We need to leave,” Charlotte whispered. “But they might come back.”

The girls waited until they heard the back door slam. Then they checked the cabin and continued preparing their distractions.

They're Back!

Almost an hour later, the girls heard a noise outside.

The back door slowly opened.

The two men had returned!

One stepped into the living room and stumbled over a cardboard box. The metal mixing bowl crashed onto the floor.

CRASH!

“What was THAT?” one man shouted.

The other rushed toward the hallway, knocking over even more boxes and pillows.

From upstairs, Riley shined a flashlight toward the wall, creating a huge shadow.

“WE CAN SEE YOU!” she yelled.

The men panicked and looked around for whoever had spoken.

Meanwhile, Charlotte whispered, “Now! Let's get out!”

The girls quietly slipped through the laundry room's outside door and hurried toward a neighboring cabin. They knew they needed help, and staying inside was too dangerous.

They knocked desperately on the neighbor's door.

“Please help us! There are two thieves in our cabin!” Charlotte explained.

The neighbor immediately called the police.

The Morning After

The police arrived and caught the two thieves near the driveway as they tried to escape toward the woods. The girls stayed safely with their neighbor until the officers confirmed it was safe.

A little later, Charlotte's older brother arrived home. He expected to find the girls asleep on the couch, but instead, he saw police cars outside.

“What happened?!” he asked.

Riley took a deep breath. “Well, our sleepover got a little interesting.”

Olivia explained everything, including their plan, the boxes, and the mixing bowl.

Charlotte's brother stared at them. “You girls did ALL that?”

“Mostly Charlotte,” Riley said.

“Excuse me? I carried half the pillows!” Olivia protested.

When Charlotte's parents arrived, they hugged the girls and made sure everyone was okay. They were relieved the girls had escaped safely, but reminded them to get help instead of trying to handle intruders themselves.

That evening, the girls finally got home and rested.

“So,” Riley asked in their group chat, “when's the next sleepover?”

Olivia replied immediately.

“ONLY IF THERE'S WIFI AND NO RANDOM PEOPLE BREAKING IN.”

Charlotte laughed and typed back, “Deal.”

THE END
# **سِفر بسملة**
## **لم أصل بعد**

---

### **المشهد الأول — في البدء كانت النية**

**[صفحة سوداء]**

> وكان في السابعة عشرة من عمرها،  
> وكانت السنة التي أمامها أكبر من كل سنة مضت.

> ولم تكن تريد منها شيئًا قليلًا.

> كانت تريد الطب.

> وكانت تريد أن تصير يومًا طبيبة،  
> لا لأن اللقب جميل،  
> بل لأنها كانت تنظر إلى الجسد البشري كسرٍّ تريد أن تفهمه،  
> وإلى المرض كسؤال تريد أن تعرف جوابه،  
> وإلى المريض كإنسان تريد أن تعرف كيف تساعده.

**[لقطة لبسمـلة أمام ورقة بيضاء.]**

> وكان في قلبها من الأحلام أكثر من حلمها وحده.

> أن ترى أباها يومًا في سيارة تخصه.

> أن تأخذ أمها إلى الحج.

> أن يأتي يوم تنظر فيه إلى بيت أهلها،  
> فتقول في نفسها:

> **لقد كنت جزءًا من هذا.**

---

### **المشهد الثاني — ثم صنعت الخطة**

**[الورقة تمتلئ بالجداول.]**

> وفي أول الطريق،  
> ظنّت بسملة أن الأمر يحتاج إلى شيء واحد:

> **أن تحسن تنظيمه.**

> فضعت الساعات.

> وقسمت الأيام.

> وجعلت للمحاضرات أوقاتًا،  
> وللواجبات أوقاتًا،  
> وللاختبارات أوقاتًا،  
> وحتى للراحة جعلت لها وقتًا.

> وقالت:

> **"سأذاكر خمسين ساعة في الأسبوع."**

> وقالت:

> **"سأبدأ من الفجر."**

> وقالت:

> **"لن أترك شيئًا يتراكم."**

> وكانت تكتب الخطة كمن يكتب وعدًا.

**[لقطة لعنوان على الورقة: 50 HOURS / WEEK]**

> ولم تكن تعرف بعد  
> أن الإنسان يستطيع أن يضع خطةً عظيمة،  
> ثم يكتشف أن أصعب شيء فيها  
> ليس الالتزام بالساعة…

> بل **أن يظل قلبه قادرًا على حملها.**

---

# **المشهد الثالث — بدأت الأيام تأخذ أكثر مما تعطي**

**[مونتاج: محاضرات طويلة، أقلام، كراسات، سبورة، تايمر.]**

> وكانت المحاضرات تمتد ساعات.

> وكانت هناك مادة بعد مادة،  
> وواجب بعد واجب،  
> وكويز بعد كويز.

> وكانت بسملة كلما فرغت من شيء،  
> وجدت أمامها شيئًا آخر.

> فإذا أتمت محاضرة،  
> ناداها الواجب.

> وإذا أتمت الواجب،  
> ناداها الكويز.

> وإذا فرغت منه،  
> ظهرت محاضرة جديدة.

> وكأن الطريق لا يفتح أمامها،  
> بل يضع أمامها بابًا آخر كلما فتحت بابًا.

وفي يومٍ من الأيام،  
نظرت إلى قائمة مهامها.

**[لقطة قريبة.]**

> فوجدت أن كثيرًا من الأشياء التي قالت عنها  
> **"غدًا"**  
> قد صارت اليوم.

---

# **المشهد الرابع — ولم تكن كسلانة**

> وهذه هي الحقيقة التي لا تظهر في الجداول:

> أنها كانت تحاول.

> كانت تسمع ساعات من الشرح.

> وتكتب.

> وتراجع.

> وتحل.

> ثم تغلق الكتاب…

> ولا تشعر أنها فعلت ما يكفي.

> لأن ما فعلته كان له وزن،

> لكن ما بقي كان له **صوت أعلى**.

---

# **المشهد الخامس — الفيزياء**

**[صفحة كاملة لدائرة كهربائية.]**

> ثم جاءت المقاومات.

> سلسلةً وتوازي.

> وأسئلة لا تنتهي.

> ومحاضرة طويلة.

> وخمسةٌ وستون سؤالًا تنتظر القلم.

> ويومان من المحاولة كانت فيهما ساعات المذاكرة تقارب العشر.

> وكانت تتعب.

> وتغضب.

> وتقول:

> **"أنا فاهمة… بس السؤال ده ليه بيعمل كده؟"**

> ثم تعود.

> لأن الفيزياء، رغم عنادها،  
> كانت من المواد التي تحبها.

> وفي يوم آخر،  
> دخلت اختبارًا شاملاً وهي متعبة،  
> وخرجت منه بدرجة:

# **28 / 30**

> ولم تقل الكثير.

> فقط نظرت إلى الدرجة.

> ثم انتقلت إلى ما بعدها.

> وكأن الانتصار عندها  
> لم يكن يستحق التوقف.

---

# **المشهد السادس — الكيمياء**

**[صفحة مظلمة.]**

# **CHEMISTRY**

> وكانت الكيمياء أثقل.

> محاضرات تمتد ثلاث ساعات.

> ملفات كثيرة.

> صفحات كثيرة.

> انتقالية، ومدارات، وـD block،  
> وكل صفحة تنادي التي بعدها.

> وفي بعض الأيام،  
> كان أقصى ما تستطيع أن تقوله لنفسها:

> **"اسمعي المحاضرة أولًا… والباقي يأتي بعد ذلك."**

> وكانت هذه الجملة تبدو صغيرة.

> لكن خلفها كان هناك عقل يحاول أن يقنع نفسه  
> بأنه ما زال قادرًا.

> ثم جاءت نتيجة تقول:

# **54 / 58**

> وأخرى:

# **23 / 24**

> فظهر دليل واضح على أنها تستطيع.

> لكن الغريب…

> أن النجاح لم يكن يمحو عنها خوفها.

> كانت تسجل الدرجة،

> ثم تنظر إلى الشيء التالي.

> وكأنها لا تسمح لنفسها أن تسكن في المكان الذي نجحت فيه.

---

# **المشهد السابع — وكانت تتعلم كل شيء، حتى ما لم يسأل عنه أحد**

**[كتاب أحياء مفتوح.]**

> وفي الأحياء،

> لم تكن تكتفي بأن تعرف.

> كانت تريد أن تفهم لماذا.

> وكان يكفي أحيانًا أن ترى اختصارًا مثل **ADH**  
> حتى يفتح في رأسها سؤال آخر:

> **"طب ده له علاقة بـ ADHD؟"**

> ولم يكن له علاقة.

> لكنها كانت تريد أن تعرف.

> لأن عقلها لم يكن يحب أن يترك بابًا مواربًا.

> وكان هذا جزءًا من قوتها…

> وجزءًا من تعبها أيضًا.

---

# **المشهد الثامن — ثم جاءت الأيام التي بدأت فيها الأشياء تتراكم**

**[السبورة ممتلئة.]**

> أحياء.

> فيزياء.

> كيمياء.

> عربي.

> إنجليزي.

> وكان هناك دائمًا شيء متأخر.

> محاضرة لم تُسمع.

> واجب لم يكتمل.

> كويز تأخر.

> وشيء جديد نزل قبل أن تنتهي من القديم.

> وكانت تقول:

> **"هخلص ده وبعدها هرتب كل حاجة."**

> ثم ينزل شيء آخر.

> فتقول:

> **"أول ما أخلص ده."**

> ثم آخر.

> حتى صار "بعد ما أخلص"  
> مكانًا لا تصل إليه أبدًا.

---

# **المشهد التاسع — ولم تكن تخسر في الدرجات، بل في الشعور**

**[مجموعة نتائج تظهر بسرعة.]**

> 10 / 10.

> 28 / 30.

> 54 / 58.

> 23 / 24.

> 32 / 33.

> وكانت الأرقام تقول:

> **أنتِ بخير.**

> لكن داخلها كان هناك صوت آخر يقول:

> **ليس كفاية.**

> كانت تتذكر اليوم الذي ضاع أكثر مما تتذكر الأيام التي قاومت فيها.

> تتذكر الساعتين اللتين ذهبتا على الهاتف.

> وتنسى الساعات التي جلست فيها وهي منهكة وأكملت.

> تتذكر المحاضرة التي لم تسمعها.

> وتنسى المحاضرة التي قاومت النوم حتى انتهتها.

> وكانت قاسية على نفسها  
> بطريقة لم تكن لتكون بها قاسية على أحد آخر.

---

# **المشهد العاشر — ثم بدأ التعب يتجاوز الكتب**

**[الألوان في الصفحة تبدأ بالاختفاء.]**

> وفي وقت ما،  
> لم يعد التعب متعلقًا بالكيمياء أو الفيزياء.

> صار شيئًا يرافقها.

> النوم لم يعد ثابتًا.

> والاستيقاظ لم يعد بداية سهلة.

> والأيام الطويلة صارت أطول مما تحتمل.

> وظهر في تحليلها رقم صغير:

# **Vitamin D — 10**

> وكان جسدها، في هدوء،  
> يعلن أنه لم يعد يحتمل أن يُعامل كآلة.

> لكنها لم تكن تعرف كيف تتوقف.

---

# **المشهد الحادي عشر — الأشياء التي كانت تحبها**

**[علبة ألوان.]**

> وكانت هناك أشياء أخرى في حياتها.

> الرسم.

> الألوان.

> الكتب.

> الزيارات.

> السفر.

> الأشياء الصغيرة التي كانت تجعل اليوم أخف.

> لكنها بدأت تلاحظ شيئًا لم تحبه.

> لم تعد تنتظرها كما كانت.

**[يدها تمسك علبة ألوان.]**

> قالت:

> **"طب لو اشتريتها… ومبقتش عايزة أرسم؟"**

> ولم تكن تسأل عن الألوان.

> كانت تسأل:

> **"هو أنا فين؟"**

---

# **المشهد الثاني عشر — لأول مرة لم يكن هناك شيء تنتظره**

**[صفحة هادئة جدًا.]**

> كانت معتادة أن تنتظر.

> المدرسة.

> عيد الميلاد.

> السفر.

> الليل.

> الزيارات.

> يومًا جميلًا يأتي فتقول:

> **"أهو ده اللي كنت مستنياه."**

> ثم جاءت فترة…

> لم تعد تنتظر شيئًا.

> لم تكن تريد الموت.

> لكنها لم تكن تشعر أيضًا أن هناك شيئًا يجب أن تصل إليه غدًا.

> وكان هذا الشعور أثقل من التعب نفسه.

> لأنها عرفت أن الإنسان يستطيع أن يعيش أيامًا كثيرة  
> وهو لا يزال يتحرك…

> **لكن دون أن يشعر أنه ذاهب إلى مكان.**

---

# **المشهد الثالث عشر — وانقسمت بسملة إلى اثنتين**

**[مرآة.]**

في جهة:

> **"قومي."**

وفي الجهة الأخرى:

> **"أنا تعبانة."**

> **"كل الناس بتذاكر."**

> **"أنا مش قادرة."**

> **"أنتِ عايزة طب."**

> **"عارفة."**

> **"إذن كملي."**

> **"بس أنا تعبت."**

> وسكتت الجهتان.

> لأن كل واحدة منهما كانت تقول الحقيقة.

> كانت تريد النجاح.

> وكانت متعبة.

> وكانت تحب حلمها.

> وكانت تخاف منه.

> وكانت تريد أن تصل.

> وكانت تخشى أن تضيع وهي تحاول الوصول.

---

# **المشهد الرابع عشر — الساعة 1:02**

**[شاشة تايمر.]**

# **1:02:00**

> نظرت بسملة إلى الرقم.

> ساعة واحدة ودقيقتان.

> فقط.

> في يوم كانت قد خططت له بأشياء كثيرة.

فقالت:

> **"أنا مظلومة."**

**[صمت.]**

ثم قالت:

> **"لا…"**

> **"أنا ظالمة."**

> وفي تلك اللحظة،  
> لم تكن تتحدث عن الساعات.

> كانت تتحدث عن الطريقة التي عاشت بها نفسها كلها.

> كلما عجزت قليلًا،  
> عاقبتها.

> كلما تأخرت،  
> احتقرتها.

> كلما تعبت،  
> قالت لها إن التعب ليس عذرًا.

> وكأن الطريق إلى حلمها  
> لا بد أن يكون مليئًا بالعقاب.

---

# **المشهد الخامس عشر — لكن بسملة لم تسقط**

**[سلسلة من اللقطات.]**

> كانت تتعب…

> ثم تعود.

> تتأخر…

> ثم تضع خطة جديدة.

> تفشل الخطة…

> فتكتب غيرها.

> تقول:

> **"النهاردة مش هضغط على نفسي."**

> ثم في اليوم التالي تحاول من جديد.

> وكانت هذه المحاولة المستمرة هي الشيء الوحيد  
> الذي لم تستطع الأيام أن تنتزعه منها.

> لم تعد كما بدأت.

> لكنها لم تتوقف.

---

# **المشهد السادس عشر — وحين ظنت أن السنة أخذت منها كل شيء**

**[بسمـلة وحدها أمام مكتبها.]**

> لم تكن قد خسرت السنة.

> ولا الحلم.

> ولا الطريق.

> كانت فقط قد اكتشفت شيئًا متأخرًا:

> أن الإنسان قد يحمل حلمًا كبيرًا جدًا…

> حتى ينسى أن الذي يحمل الحلم  
> **إنسان.**

> وأن بسملة ليست آلة مذاكرة.

> وليست مجموع ساعات.

> وليست رقمًا في اختبار.

> وليست قائمة مهام إذا اكتملت صارت جديرة بالحياة.

---

# **المشهد الأخير**

**[غروب.]**

> وما زالت الكتب أمامها.

> وما زالت هناك محاضرات.

> وما زالت هناك أشياء متأخرة.

> وما زالت أمامها سنة طويلة.

> ولم تصل بعد.

**[لقطة لقدميها على أول الطريق.]**

> لكنها لم تعد تنظر إلى الطريق كما كانت.

> لم تعد تقول:

> **"يجب أن أصل الآن."**

> بل بدأت تقول:

> **"سأصل… خطوةً خطوة."**

**[تكتب على ورقة صغيرة.]**

> **"ظننا بالله أنه لن يضيعنا."**

ثم تنظر إلى الجملة قليلًا.

وتضيف تحتها:

> **"وما كان ربك نسيًّا."**

**[صفحة سوداء.]**

> وكانت هذه هي الحقيقة التي لم ترها طوال الطريق:

> أن التأخر ليس ضياعًا.

> وأن العثرة ليست نهاية.

> وأن الطريق الطويل لا يعني أنها فشلت في الوصول.

> فهي لم تصل بعد…

> **لكنها ما زالت تمشي.**

# **بسملة**
## **لم أصل بعد.**

### **— وما زالت القصة تُكتب.**