Community Comics

Grocery Store Comics

Made by the community on Comic Maker

use this video https://youtu.be/thnDxFdkzZs?si=1hseuSdwoFAmKLF8 to make me a cartoon character going thru a portal then when I got out I was in democritus time. Walk me through history watching how atomic theory developed over time. mention names, years, and names of the models, until I get back to the present day where the quantum model exists
The Stakeout (4 Panels)Panel 1: Four heroes crouch in the deep shadows of a rainy gargoyle rooftop.Panel 2: The gritty Leader looks through binoculars; the Brawler tightens his spiked brass knuckles.Panel 3: The Rookie trembles in fear; the cynical Mage lights a cigarette with a spell.Panel 4: A single neon sign flashes, illuminating all four grim, determined faces at once.
So this boy named Miguel just moved from Japan with his family but then when he arrives at he’s new school in New York called Manhatman Highschool he’s bullied and jamal (black,plays basketball and mean ) is his main bully but this girl named Cory stands up for him then they become friends and get closer but then in the science lab one month later an accident happens then Miguel turns invisible then to be continued
Haifa arrives at the beautiful private house with her family and thinks it is just a normal family trip. While she is exploring the house, her family secretly prepares a birthday surprise with colorful balloons, decorations and a beautiful birthday cake. Suddenly, Haifa enters the decorated room and everyone shouts, "Surprise! Happy Birthday Haifa!" Haifa is shocked for a moment, then becomes extremely happy and smiles with excitement as she sees the cake and decorations.
CARLITSO INTENTA RECUPERAR LA MATERIA DE COMUNICACION Y LENGUAGE CON LA PROFE CATERINE, POR LO CUAL EL SE DIRIGE A UNO DE LOS SALONES DE CLASE DONDE LA PROFE TRABAJA, ESTA LE EXPLICA COMO RECUPERAR LA MATERIA PERO POR CULPA DEL RUIDO DE LOS ESTUDIANTES DEL SALON CARLITOS NO ESCUCHO BIEN Y REALIZO UN TRABAJO DIFERENTE ALQUE LA PROFE LE PIDIO
Panel 1 — Finally, freedom! Illustration: Greg and his cabin mates look refreshed the next morning while the other campers look exhausted. Greg: “Best night of camp. Don't ask questions.” Panel 2 — Heading home Illustration: Frank offers Greg a ride home, and Greg happily gets into the car. Caption: Greg decides to keep his dad's secret. He realizes he might want the same kind of hiding place someday. Panel 3 — The final joke Illustration: Greg puts up a sign reading “BEWARE OF SILAS SCRATCH” as he leaves the camp. Caption (Greg): “Some secrets are just too good to share.” END
Begin with a dramatic wide view of San Isidro suffering from severe drought. The ground is cracked, rice crops have wilted, farmers are worried about food shortages, and the rural clinic is struggling with limited medical supplies. Introduce Maya Reyes examining the last healthy rice seedling in a protective container. AGRI-9 reports that the harvest is in danger and that the community needs reliable food and healthcare. Show Maya looking from the fragile seedling toward the struggling town and deciding to find a solution. Introduce the title, "THE LAST SEED: WHEN TECHNOLOGY FEEDS THE WORLD AND HEALS HUMANITY." Establish an emotional sense of urgency, hope, and responsibility.
On the first panel there is only the title: "Quando a inclusão exclui" On the second panel there is only a guy, wearing normal clothes, smiling, with his hands on his waist (like a super hero). Above him, fluctuating, the letters LGBT. On the third panel, the same guy, same pose, same clothes, but a worried expression on his face, ans now the letters fluctuating are "LGBTQIPNA+" On the forth panel, the same guy is now crushed buy all the letters of the alphabet that are no longer fluctuating and fell right on top of him. There is also a new person, an onlooker, that looks tored after a very long and demanding day of work, and he says outloud: "Era pra eu decorar isso?"
When I arrive in Agrabah I end up in this cool outfit and I see Aladdin. He looks at me and smiles, then shows me around the city. After that, we go on adventures to the pyramids. The moment we get inside, there are booby traps, and we have to escape them. We fly there on the magic carpet, and first we find treasure in the pyramids. Then we have to defeat the big Scorpio. Aladdin gives me one piece of treasure. We say our goodbyes and hug. I wake up in a movie, playing as Aladdin waves and smiles at me, and then he goes back to his scenes in the movie, and then the end.
Como una pelea de dos hermanos uno que sea niña y el otro niño discutiendo por ver quién se mete a bañar primero porque los puede dejar el transporte son las 5:30 y ninguno de los dos se ha bañado y a las 5:45 deben estar saliendo de su casa para ir a suiche al transporte pero pasa que son las 5:55 y los dos salen corriendo de la casa los va a llegar el transporte les toca subir una larga loma y el transporte los espera fin
On the first panel, only the title: "O que raios é MGRS?" On the second panel, a guy using glasses says to the reader: E se simplificarmos a vida? Imagine a sigla MGRS, de “Minorias de Gênero, Românticas e Sexuais”. On the third panel, two people appear looking at him making questions. One asks: "E trans e travestis? E bissexuais e assexuais?". The other asks: "E os pans? E os não binários?". On the last panel, only the original guy is shown and he says to the reader: "Todo mundo está aqui! A sigla abraça a todos e todas, sem nunca passar de quatro letras."
it was time to return back home. He boarded the plane and jetted off Half way through the flight there was a bang and the captain said there was a problem they had ran out of fuel and where heading down. Dean went to the toilet to change into his superhero costume. He asked the captain where the fuel tank was , he had a plan. He summoned up a mighty fart and refuelled the plane. His fat was so powerful it got them home early just in time for supper, beans off couse
Gumawa ng 6-8 panel comic strip na nagpapakita ng isang sitwasyon kung saan ginagamit ng tauhan ang isip at kilos-loob upang gumawa ng isang makataong kilos. Ipakita rin ang kaniyang pagpapasya, kilos, bunga, at pananagutan. Dapat Makita: Sitwasyon Ano ang nangyari? Isip - Ano ang pinag-isipan? Kilos-loob - Ano ang nais niyang piliin? Pagpapasya - Ano ang kaniyang pinili? Pagkilos - Ano ang kaniyang ginawa? Kahihinatnan - Ano ang naging bunga? Pananagutan - Paano niya hinarap ang bunga ng kaniyang kilos? Layunin: Maipakita sa malikhaing paraan kung paano nagiging makataong kilos ang isang kilos kapag ito ay alam, pinag-isipan, malayang pinili, at isinagawa.
When a guarded 38-year-old creative manager and her 28-year-old colleague fall in love, they must navigate office gossip, societal judgment, and the shadows of her abusive past—only to discover that love that's patient, devoted, and unwavering can overcome anything.
Júlia se senta na sala de espera. Ao seu redor, outras pessoas conversam normalmente, enquanto ela permanece sozinha, sem saber exatamente o que está acontecendo com seu atendimento. Ela olha para a recepção, tenta chamar a atenção da funcionária e demonstra preocupação. Sua maior dificuldade naquele momento não é apenas esperar, mas não conseguir se comunicar com clareza. Diálogo: Júlia: (aproxima-se da recepção e mostra novamente a mensagem no celular). Recepcionista: “Pode voltar para o seu lugar. Assim que chamarem você, eu aviso.” Júlia: (olha para a funcionária, preocupada, e sinaliza que não consegue ouvir quando chamarem seu nome). Recepcionista: (percebe que não compreendeu o que Júlia sinalizou e fica sem saber como responder).
Create a 6-panel educational cartoon comic strip about the history of evolutionary thought, featuring five historical thinkers: Empedocles, Aristotle, Georges-Louis Buffon, Erasmus Darwin, and Jean-Baptiste Lamarck. Begin with the five thinkers gathering to discuss the question, “How has life on Earth changed over time?” Empedocles explains his belief in the four elements: earth, water, air, and fire. Aristotle shares his work on studying and classifying animals. Buffon discusses the similarities between species and how living things may change over long periods. Erasmus Darwin shares his ideas about common ancestry and changes across generations. Lamarck explains his theory of use and disuse and his belief that acquired traits can be passed to offspring. End with all five thinkers sharing their ideas and recognizing their contributions. Use colorful cartoon illustrations, clear speech bubbles, historical clothing, and simple educational backgrounds.
Create a 6-panel educational cartoon comic strip about the history of evolutionary thought, featuring five historical thinkers: Empedocles, Aristotle, Georges-Louis Buffon, Erasmus Darwin, and Jean-Baptiste Lamarck. Begin with the five thinkers gathering to discuss the question, “How has life on Earth changed over time?” Empedocles explains his belief in the four elements: earth, water, air, and fire. Aristotle shares his work on studying and classifying animals. Buffon discusses the similarities between species and how living things may change over long periods. Erasmus Darwin shares his ideas about common ancestry and changes across generations. Lamarck explains his theory of use and disuse and his belief that acquired traits can be passed to offspring. End with all five thinkers sharing their ideas and recognizing their contributions to the early history of evolutionary thought. Use colorful cartoon illustrations, clear speech bubbles, historical clothing, and simple educational backgrounds.
1st panel: Randy and Fred are two big men that are rock and roll musicians. They are happily listening to Bachman Turner Overdrive on the radio. They are driving in California but their license plate says "Friendly Manitoba". 2nd panel: An 18 wheel truck pulls in front of them and begins to slow down. 3rd panel: They want to pass the truck but a second truck pulls up next to them blocking them. 4th panel: A third truck pulls up behind them completely blocking them. 5th panel: Randy and Fred are turn red with anger. 6th panel: The truckers pull into a rest stop forcing Randy and Fred to do the same. 7th panel: Randy and Fred jump out of the car ready for a fight - until they see that there are 6 truckers and all of them are even bigger than they are. 8th panel: Randy and Fred calm down and politely ask "Why did you box us in?" 9th panel: The lead trucker says: :We saw your license plate and decided to see how friendly you really are. Why don't you just Let it Ride!"
THE MONGERING — PAGE 20: THE LINE. A single full-page noir comic composition in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. Full-page composition: Douglas in the rain, foreground, turned toward the empty edge of frame. Behind him the stagnant city, blurred figures, shuttered shops. A chimney smoke curl. Everything normal. Nothing right. Captions placed across the page, rendered exactly as written: "Nobody can say when it started. That's the worst part." "But tonight, one man is listening." "The city holds its breath. Douglas holds the line." "One person. One decision. One rescue at a time." Final line at the bottom of the page: "THE MONGERING WILL CONTINUE..." Render all caption text exactly as written, with perfect spelling.
Issue #2, Page 2: Testing Patience • Panel 1 • Visual: A messy workshop room. The young dragon is now the size of a large puppy. It is playfully chewing on a bundle of glowing computer wires, sparking wildly and causing a chaotic mess. • Kid 1 (Panicked): "No, stop! Those are the primary server cables!" • Panel 2 • Visual: Close-up of another kid pulling back the first kid's hand before they yell, taking a deep, calm breath instead. • Kid 2: "Wait, don't shout. It's just a baby exploring. We have to be patient." • Panel 3 • Visual: The kid kneels down to the dragon's eye level, holds out a proper rubber toy, and types into a handheld prompt device: "We don't chew on wires, but you can play with this instead." • SFX: Click-clack (typing) • Panel 4 • Visual: The dragon drops the wires, sparks fading. It happily grabs the toy with its jaws, wagging its tail. The kids sigh in relief as a gentle blue light glows around the dragon's horns, signaling a lesson learned. • Caption: Patience changes everything. A lesson for the dragon, and a reminder for the Guardians.
THE MONGERING — PAGE 16: HOLDING THE LINE. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels. Panel 1: Douglas in his doorway at night, the key in his hand, looking out at the rain. Caption: "What he owns. What he's built. What he's grateful for." Panel 2: Close on his face — decided. Douglas thinking (thought bubble): "One person. One decision. That's where it gets in." Panel 3: Him stepping out into the rain, shoulders square. Douglas thinking (thought bubble): "So that's where I'll be." Panel 4: Night. A notebook on his desk. His hand writing two names: MARCUS. LENA. Caption: "The ledger begins. Not of what was taken — of who was pulled back." Render all speech, thought and caption text exactly as written, with perfect spelling.
THE MONGERING — PAGE 8: TWO CONVERSATIONS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard. 4 panels. Panel 1: Memory flash — a warm kitchen, years ago, slightly golden. Douglas as a young boy. His father, tired but certain, hand on his shoulder. Father (speech balloon): "Listen to what they mean, son. Not what they say." Panel 2: Back in the coffee shop. The stranger's line rendered twice: her normal speech balloon, and beneath it a dark translucent echo-balloon with the same words, heavier, wrong. Echo-balloon text: "Some people have all the luck." Panel 3: Close on Douglas's eyes. He gets it — not the meaning, just the fact of it. Douglas thinking (thought bubble): "Everyone else heard small talk." Panel 4: Him looking toward the door the strangers left through. Empty. Douglas thinking (thought bubble): "I heard two conversations." Render all speech and thought text exactly as written, with perfect spelling.
Comic title: The Mongering. Page 2: MARCUS. Panel 1: Dark noir graphic-novel illustration, rain-soaked fictional American city, heavy shadows, cold blue-teal palette with warm amber streetlight accents. Ordinary people, ordinary streets. No monsters, no creatures, no text inside the art except where noted. Morning. Marcus (late 20s, tired eyes, wrinkled button-down shirt, tie crooked, holding a resume folder) at a bus stop, resume folder clutched. A bus pulls away; he doesn't move to chase it. Small SFX text in the panel: "hiss… gone." Panel 2: Same noir style. Flashback, dim apartment. Dre (unshaven roommate) on a couch, not looking up from his phone. Speech bubble from Dre: "Must be nice, getting interviews handed to you." Panel 3: Same noir style. Back at the bus stop. Marcus staring at his shoes. Rain starting. Small speech bubble from Marcus: "It's not my fault." Panel 4: Same noir style. The empty street where the bus was. Marcus still standing there. A clock on the bus shelter reading 5:17 — plain background set dressing, not emphasized. Caption box: "Missed opportunity #1."
The process of photosynthesis
miss pathupats
Vasiliki - Greece
A gay superhero flies effeminate
An Elephant who was friends with a rat
Comic about warmth, with jokes
a life of a slave in ancient egypt
a liitle inventor with ideas but no money
Create me a comic about a doughnut and marshmallow
The amazing digital circus the characters jax and pomni. jax is in love with pomni
a woman is treated like a baby by a machine build to regressed criminals forever
The cat in the scate bord deafeates a cactus monster who has iq of 2133
The Magic Tree — Two children discover a magical tree that teaches them kindness.
President Tinubu of Nigeria, explaining to Nigerians that his is not the one who caused hunger, they did.
A dancer starts to feel popping/clicking in their hip, they begin to wonder what is causing the popping/clicking
Crie um quadrinho 2D moderno, dinâmico e com aparência profissional, dividido em 6 cenas. Tema: uma pessoa comum descobrindo uma forma de começar no marketing digital. Cena 1: Jovem sentado no quarto, olhando para o celular, preocupado com falta de dinheiro. Balão: “Eu preciso encontrar uma forma de ganhar uma renda extra.” Cena 2: Ele encontra um conteúdo sobre marketing digital no celular. Balão: “Talvez eu possa começar pela internet.” Cena 3: O jovem estudando pelo celular e anotando ideias em um caderno. Balão: “Primeiro preciso aprender.” Cena 4: Ele começa a criar conteúdo e divulgar produtos como afiliado. Balão: “Agora vou colocar em prática.” Cena 5: Aparece a primeira notificação de comissão no celular. O jovem fica surpreso e feliz. Balão: “Minha primeira comissão!” Cena 6: O jovem mais confiante, trabalhando no computador. Texto final: “Comece pequeno. Aprenda. Aplique. Evolua.” Estilo visual: quadrinho 2D, traços limpos, personagens expressivos, cores modernas, iluminação suave, composição cinematográfica, balões de fala bem posicionados, alta qualidade, formato vertical 9:16, sem aparência 3D.
THE MONGERING — PAGE 6: DOUGLAS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels. Panel 1: Morning. A modest, well-kept hallway. On a hook by the door: a single house key. Caption: "Douglas." Panel 2: Douglas takes the key, touches it once — a small ritual. On the wall: a worn framed photo of his parents, young and smiling. He straightens it. Caption: "What he owns. What he's built. What he's grateful for. Every morning, in that order." Panel 3: Douglas stepping out into the rain in his dark suit — the only person on the street walking at full speed, shoulders square. Caption: "The constants. They hold him steady while the city drifts." Panel 4: Him passing a bus stop. Marcus is there again — same spot, same frozen posture as yesterday, a young man with a damp resume folder. Douglas thinking (thought bubble): "That kid hasn't moved in two days." Render all caption and thought-bubble text exactly as written, with perfect spelling.
THE MONGERING — PAGE 15: THE LEDGER GROWS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit — who appears in Panel 4 only. 4 panels. Panel 1: A wedding venue, empty. A cancelled sign on the door. A note below: "Called off — a misunderstood text." Caption: "A wedding, over one text nobody can produce." Panel 2: A Little League field. An empty spot on the bench. A note: "Quit after a rumor about the coach." Caption: "A kid, over a rumor nobody started." Panel 3: A corner shop with a "CLOSED TEMPORARILY" sign, months old. A clock tower behind it: 0:49 — inconspicuous background set dressing. Caption: "A shop. A team. A marriage. A bakery. A job." Panel 4: A bar window, TV inside: "...economists can't explain the slowdown..." Douglas watching from the rain, jaw tight. Caption: "The city calls it a slump. Douglas is starting to call it something else. He just doesn't have the word yet." Render all speech, signs and caption text exactly as written, with perfect spelling.
A whimsical fantasy graphic novel about Flicker, a young phoenix who protects the Eternal Flame, a magical source of life in the natural world. Flicker is playful, curious, brave, colorful, and slightly clumsy. The Eternal Flame glows warmly inside an ancient mountain sanctuary surrounded by forests. He is helped by Grandfather Shell, who loves pie more than anything, and Tsu, an inventive, curious, sometimes clumsy destructive raccoon. A mysterious half ash, half wolf guardian named Ashbane wants to possess the Flame so he can preserve his own life forever. He discovers that Flicker carries a small spark connected to the Flame. The Flame begins to fade, causing nature to lose its color and energy. Flicker discovers his inner strength and transforms into a brilliant giant phoenix of golden fire. He restores the Flame, bringing color and life back to the forest. Ashbane becomes peaceful and disappears into harmless gray ash. End with Flicker returning as a tiny, cheerful phoenix. Style: colorful, whimsical, expressive cartoon fantasy, dynamic poses, lush forests, glowing fire, playful humor, dramatic but kid-friendly. Keep scenes simple with one main focal character.