Community Comics

Social Media Comics

Made by the community on Comic Maker

Comic Strip Title: "AI Wisdom"

Panel 1: Scene: A lion lounging under a tree with a tablet. A zebra walks by, curious.

Lion: Did you know AI learns from prompts?

Panel 2: Scene: Zebra tilts its head, intrigued.

Zebra: Prompts? Like asking for directions?

Panel 3: Scene: Lion grinning mischievously.

Lion: More like, “Hey AI, tell me a joke about lions!”

Panel 4: Scene: Zebra laughs, rolling its eyes.

Zebra: Just wait! It’ll probably say, “Why did the lion eat the zebra? Because it couldn’t find a prompt!”

Caption: AI: Always learning, sometimes funny!
TOGLI OCCHI E BOCCA DAL CUORE CHE DEVE RIMANERE SOLO ROSSO, LE MANI SONO DEI FIORI CON GRANDI PETALI E LE SCARPE SONO DELLE NUVOLE BLU,
 a liitle inventor with ideas but no money
about binibining pathupats

gawing maikli ang kwento
Panel 1 : a male human cleric, a dwarf warrior, and a goblin rogue eat a hearty breakfast from a buffet in an medieval fantasy tavern called Yawning Portal. Panel 2: they exit the tavern and walk the streets outside. Panel 3: the dwarf suddenly wonders where his daughter is and says "Wo ist meine Tochter überhaupt?!!. Panel 4: the party hastily rushes back inside the tavern to find his daughter eating breakfast.
Create a professional original Tamil superhero comic book titled
“மின்னல் வீரன் – காலப் பிளவு”.

Write a completely original story in modern Tamil, with exciting
superhero action, science fiction, mystery, emotional moments,
and unexpected twists.

MAIN HERO:
A teenage Tamil boy who gains lightning-based superpowers after
a mysterious cosmic event. Give him a unique blue-and-gold costume,
a secret identity, special abilities, weaknesses, and a meaningful
backstory.

COMIC STRUCTURE:
- 10 illustrated comic-book pages.
- 3–5 panels per page.
- Natural Tamil dialogue and narration.
- Detailed descriptions of each panel.
- Dramatic camera angles and facial expressions.
- Action scenes, sound effects, and speech bubbles.
- Original villains and supporting characters.
- A major battle and an unexpected plot twist.
- A thrilling cliffhanger ending for Part 2.

ART STYLE:
Professional cinematic superhero comic-book artwork, bold ink
outlines, vivid colors, dynamic poses, dramatic lighting,
detailed backgrounds, halftone textures, and clear panel borders.

IMPORTANT:
All characters, costumes, symbols, and storylines must be original.
Do not use existing Marvel or DC characters, logos, or copied stories.
Keep the content suitable for teenagers and general audiences.
All dialogue and narration must be in Tamil.
Create a funny but historically accurate 3-panel comic about Bacon’s Rebellion in colonial Virginia in 1676. Use a colorful, hand-drawn cartoon style with 17th-century colonial clothing and clear speech bubbles.

Panel 1 — The Complaints: Angry frontier settlers complain to Governor William Berkeley about protection and his policies. One settler says, “We need protection out here!” Berkeley replies, “I’ve got everything under control.”

Panel 2 — Bacon Takes Action: Nathaniel Bacon stands in front of angry settlers and says, “If the governor won’t listen, we’ll take matters into our own hands!” One settler replies, “This probably won’t end well…”

Create a funny but historically accurate 3-panel comic about the Boston Tea Party of December 16, 1773. Use a colorful cartoon style, 18th-century colonial clothing, detailed ships, and clear speech bubbles. Make the characters look consistent across all panels.

**Panel 1 — The Tea Tax:** Show British officials discussing taxes on tea while colonists look annoyed. A British official says, “They can pay the tea tax like everyone else!” A colonist replies, “We don't even get a say in these taxes!”

**Panel 2 — Time for a Tea Party:** Show colonists disguised as Mohawk people boarding ships in Boston Harbor. One colonist holds a crate of tea and says, “Well, we're definitely not drinking all this!” Another replies, “Into the harbor it goes!”

**Panel 3 — Tea Everywhere:** Show colonists dumping wooden tea chests into Boston Harbor while a British official watches in shock from the shore. The official says, “THAT was a lot of tea!” A colonist replies, “Should've asked us first!” Add a caption: “On December 16, 1773, colonists dumped tea into Boston Harbor to protest British tea policies and taxation.”

Make the comic appropriate for a college history assignment, with readable text, accurate historical details, and humor that doesn't distort the main events.
A book all about sonic the hedgehog and his friends and them defeating Dr. Eggman in the end of the comic
a story about verity and red
sus Gru comes in with red somehow
the morphing machine destroys the galaxy but not capybara Gru and his capybara and his among us pet
an open window looks out into a city the words MESAI appear in it before disapearing then it zooms out and shows that the open window belongs to a bedroom a stereo system from 2009 shows the tiem 7 am then soft music starts playing not long after it starts playing a hand from the right side of the stereo pops out and turns it off the hand flops down hanging off a bed
Gumawa ng 6-8 panel comic strip na nagpapakita ng isang sitwasyon kung saan ginagamit ng tauhan ang isip at kilos-loob upang gumawa ng isang makataong kilos. Ipakita rin ang kaniyang pagpapasya, kilos, bunga, at pananagutan.
Dapat Makita:
Sitwasyon Ano ang nangyari?
Isip - Ano ang pinag-isipan?
Kilos-loob - Ano ang nais niyang piliin?
Pagpapasya - Ano ang kaniyang pinili?
Pagkilos - Ano ang kaniyang ginawa?
Kahihinatnan - Ano ang naging bunga?
Pananagutan - Paano niya hinarap ang bunga ng kaniyang kilos?
Layunin: Maipakita sa malikhaing paraan kung paano nagiging makataong kilos ang isang kilos kapag ito ay alam, pinag-isipan, malayang pinili, at isinagawa. dapat hindi  sya ung sa wallet like ibang scenario like katulad ng nasa klase tas natutulog ganon
Viñeta 1: El profesor presenta el debate: “¿Debería ser obligatorio usar uniforme?”

Viñeta 2: Un estudiante dice que el uniforme ayuda a mantener la igualdad entre los estudiantes.

Viñeta 3: Otro estudiante piensa que cada persona debería poder elegir su ropa.

Viñeta 4: Los estudiantes presentan sus argumentos y escuchan diferentes opiniones.

Viñeta 5: El profesor invita a todos a reflexionar sobre ambas posturas.

Viñeta 6: Los estudiantes concluyen que es importante escuchar y respetar opiniones diferentes.

Intención comunicativa

Presentar diferentes puntos de vista y demostrar cómo un debate puede ayudar a desarrollar una capacidad crítica.
The cat in the scate bord deafeates a cactus monster who has iq of 2133
THE MONGERING — PAGE 10: ONE DECISION. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. Draw exactly 5 PANELS.

Panel 1: Douglas sits beside Marcus on the bench. No lecture. Just straight talk. Douglas (speech balloon): "Call them back. Today. Not tomorrow — today. I'll sit right here while you do it."

Panel 2: Marcus, phone shaking in his hand, dialing. Douglas steady beside him. Marcus (phone, small text): "Hi — Marcus Bell. I missed yesterday, I know, I—"

Panel 3: The interviewer's office. She's listening, surprised, then nodding. Interviewer (phone): "...Thursday. Different role. Foot in the door. Don't miss it."

Panel 4: Marcus lowering the phone, staring at it like it bit him. Almost a smile. Marcus (speech balloon): "Thursday." Caption: "Not a miracle. A decision. His own."

Panel 5: Night. Douglas in bed, eyes open, staring at the ceiling. 3:12 AM on his alarm clock. Caption: "That night, Douglas didn't sleep. He never does, after."

Render all speech and caption text exactly as written, with perfect spelling.
THE MONGERING — PAGE 9: THE WATCHES. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Next morning, rain. Douglas at the bus stop beside Marcus, who stares at nothing, resume folder damp in his hands. Douglas (speech balloon): "Morning. You waiting on the 9:40?"

Panel 2: Marcus, hollow, not looking at him. Marcus (speech balloon): "What's the point. It's not my fault the bus—" He stops, frowning at his own words.

Panel 3: Close on Marcus's wristwatch: stopped at 5:17, the hands clearly reading 5:17. Douglas (speech balloon): "When did your watch stop?"

Panel 4: Split panel — Marcus's stopped wristwatch at 5:17 beside Douglas's watch, which ticks at the correct time. Douglas stares at the two watches. Marcus (speech balloon): "...dunno. What time is it, even?" Caption at bottom of panel: "His watch was right. The kid's wasn't. Douglas didn't know why that scared him."

IMPORTANT: Marcus's watch must read 5:17 in both Panel 3 and Panel 4 — keep it consistent. Render all speech, captions and watch faces exactly as written, with perfect spelling.
So this boy named Miguel just moved from Japan with his family but then when he arrives at he’s new school in New York called Manhatman Highschool he’s bullied and jamal (black,plays basketball and mean ) is his main bully but this girl named Cory stands up for him then they become friends and get closer but then in the science lab one month later an accident happens then Miguel turns invisible then to be continued
THE MONGERING — PAGE 18: SMALL VICTORIES. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Morning. The bus stop. The bus pulls up — and Marcus is ON it, in a clean shirt, waving through the window. First day. Marcus (through glass): "Thursday!"

Panel 2: Douglas, waving back — a real smile, the first easy one in the issue.

Panel 3: Douglas's phone. A text from Lena: a photo of a small, imperfect storefront — "MABEL'S" going up in fresh paint. Lena (text): "Signed the lease. Small space. It's mine."

Panel 4: Douglas typing back, standing in the rain, steady. Douglas (text): "Proud of you." Caption: "The constants hold. Two of them, anyway."

Render all speech, text-message and caption text exactly as written, with perfect spelling.
a boy called dean was on the way home with his beans. from texaco. he fell into the sewers because he was to busy eating his beans. and splosh he went into toxic wast with his beans and a new  super hero named super bean fartastic boy was born his power was he farted from his butt cheeks and he could make someone faint for how long he wanted
he Lost English Diary
One sunny morning, Gumball and Darwin went to school. Gumball suddenly opened his backpack and shouted, “Oh no! My English diary is missing!”
Darwin looked worried. “We need that diary! All our English words are inside!”
They searched the classroom, the school yard, and even the cafeteria. Suddenly, Darwin saw a blue notebook under a tree.
“Gumball! I found it!” he cried.
Gumball opened the diary and smiled. “Yes! Our words are safe!”
But then Darwin noticed something strange. Page 6 was completely empty!
“Oh no! We forgot to write our new words!” said Darwin.
Gumball took a pencil, and they quickly wrote the words together. They were happy because they had found their diary and learned an important lesson: always check your backpack!
The End.
Punong puno ng kolorete ang mukha ng dalagang si Binibining Yeyeng. Sabi nila ipinanganak ang kanyang mga magulang sa sulok ng Pampanga, sa pinakamaliliit na bayan nito. Dahil dito Pilipina si Binibining Yeyeng mula ulo hanggang paa, at kahit sa kadulu-duluhan ng kanyang buhok, Kapampangan siya.

Dahil mahirap lang sila, karamihang nagtitinda ang ikinabubuhay. Nakikita si Binibining Yeyeng na sunong ang ginatan o kaya bitso-bitso na inilalako niya sa mga sugalan. Nagdalagang walang pagbabago sa buhay nitong binibini.


Natapos ang rebolusyon. Nagbukas ng paaralan ang pamahalaang militar ng Amerika at dito pinagturo ang mga sundalong Amerikano. Nangyaring si Binibining Yeyeng, Yeyeng pa noon, wala pang binibini, ay nagkaroon ng suking sundalo. Inakit ng sundalong mag-aral ang dalaga sa paaralang kanyang pinagtuturuan upang magkaintindihan sila. Sa kanilang pag-uusap, nag-i-Ingles ang sundalo, nagka-Kapampangan si Binibining Yeyeng, kaya napilitan siyang mag-aral.

Pagkaraan ng ilang buwan, nagsasalita na ng Ingles si Binibining Yeyeng. Paglipas ng walong buwan, sa amuki ng gurong kawal, ipinahatid siya sa isang bayan kung saan siya pinagturo.

Noong nagtuturo na doon, pinahanga niya ang taong-bayan dahil nakikita nilang mas marunong siya ng Ingles kaysa sa kanila.

Ganyan lumipas ang panahon. Halos hindi na nagsalita si Binibining Yeyeng ng Kapampangan dahil sabi niya ay nakalimutan na niya. Matigas daw ang Kapampangan at nababaluktot ang kanyang dila, kaya kalian man hindi na siya makapagsalita ng tuwid at nauutal siya.

Nagkalabitan ang mga maalam na nakakikilala sa kanya pagkarinig nito. Pinalitan tuloy ang kanyang pangalan at pinangalanan siya ng matunog at umaalingasaw na “Binibining Phathupats,” pangalang hango sa malapad niyang balakang na pilit na iniipit sa pahang mahigpit na ginagamit niya, kaya wala siyang iniwan sa patupat o suman sa Ibus na mahigpit ang balot.


Magmula noon ito ang pangalang ibinansag sa kanya at nakalimutan nilang tuluyan ang Yeyeng, ang malambing niyang palayaw. Ang Binibining Phathupats ang naging palasak.

Ganito nang ganito ang buhay. Hindi nagtagal lumabas ang Ing Emangabiran, pahayagang Kapampangan sa Bacolor. Sa isang pista o velada sa bayang X, na kung saan dumalo si Binibining Phathupats, binabasa ito. Lumapit siya, ngunit nang makita na Kapampangan ang binabasa, lumabi ng kunti, umiling at nagsabi.

“Mi no entiende el Pampango” 

“Mi no entiende ese Castellano, Binibini,” sabi naman ng isang susut, ginagad ang kanyang tono. Napangiti lahat ng nasa umpukan: at sapagkat may pinag-aralan sila, hindi na nila ipinakita ang pagkaaliw nila sa binibini. At ito namang babae kahit alam na parang tinutukso na siya ay nagpatuloy din at nagsabi:

“Sa katunayan, totoong nahihirapan na akong bumigkas ng Kapampangan lalo na kung binabasa ko.”

Dito sa iilang salitang binigkas niya, sumama lahat ang iba’t ibang wika ng talasalitaang bulgar na ang Ingles, Kastila, Tagalog na pinaghalu-halo niya ang walang kawawaan. Hindi na nakapagpigil ang mga nakarinig; napatawa sila ng malakas.


Nagalit si Binibining Phathupats, hinarap ang mga tumatawa at sabi niya:

“Porque reir?” 

“Por el tsampurado, Binibini,” sabi ng unang sumagot.

Lalong lumakas ang halakhak ng mga nakikinig at nag-init ang pakiramdam ni Binibining Phathupats. Isa sa mga nakatayo ang nagsabi ng ganito.

“Hindi kayo dapat magtaka kung hindi na marunong ng Kapampangan si Binibining Phathupats: Una, dahil matagal na siyangnakisama sa mga kawal na Amerikano: pangalawa, hindi na siya Kapampangan. Katunayan Binibining Phathupats ang kanyang pangalan”.

Noon na sumabog ang bulkan. Putok na ubod nang lakas, sumabog ang kaldero ni Binibining Phathupats at mula sa bunganga niyang naglalawa lumabas ang lagablab ng Vesubiyo o ang lahat ng maruruming salita sa Kapampangan, bigla niyang pinagsama-sama sa nag-aapoy na bunganga.

“Walanghiya! Magnanakaw! Taga-lason! Anak-!” sabi sa tinurang wikang Kapampangan.


“Aba, Kapampangan pala siya!” sabi ng mga nakarinig.

“Oo, hindi ba ninyo alam?” sabi ng nakakakilala sa kanya. “Anak siya ni matandang Godiung Pakbong na aking kanayon.”

Napahalakhak nang malakas ang mga nanonood. Napaiyak na si Binibining Phathupats at sa pagpupunas sa kanyang tumutulong luha sumama ang makapal niyang pulbos sa pisngi. Lumitaw ang likas niyang kulay, maitim pa siya sa duhat. Nang makita ito ng mga nanonood lalo na silang napatawa at nagsabi:

“Aba! Maitim pala siya!”

“Oo, Amerikanang negra siya!

Sigawan, palakpak, halakhakan ang narinig noon. Hindi na nakatiis si Binibining Phathupats. Nagkandarapa sa paglabas sa daan at sabi niya:

“Mi no vuelve en esta casa.” 

“Paalam, Binibining hindi marunong ng Kapampangan!”

“Paalam, Binibining Alice Roosevelt!"

“Paalam, Binibining Phathupats!”

            Ganyan siyang pinagtutulung-tulungan, at ang kawawang Yeyeng ay umalis na bubulung-bulong na parang asong ulol.

Napakarami ng mga Binibining Phathupats sa panahon ngayon. Hindi na sila marunong ng Kapampangan o ikinahihiya na nila ang Kapampangan dahil nakapagsasalita na sila ng Ingles na tsampurado.
🎨 গোপাল ভাঁড় ও মিষ্টির হাঁড়ি

🖼️ ছবি ১: রাজা সিংহাসনে বসে আছেন। সামনে গোপাল দাঁড়িয়ে আছে।

👑 রাজার মাথার উপরে কথার বুদ্‌বুদ:
"গোপাল! বল তো, পৃথিবীর সবচেয়ে মিষ্টি জিনিস কী?"

🖼️ ছবি ২: গোপাল মাথা চুলকে মুচকি হাসছে।

😄 গোপালের মাথার উপরে কথার বুদ্‌বুদ:
"মহারাজ, আপনার কথাই সবচেয়ে মিষ্টি!"

🖼️ ছবি ৩: রাজা খুশি হয়ে গোপালকে মিষ্টির হাঁড়ি দিচ্ছেন।

👑 রাজার কথার বুদ্‌বুদ:
"বাহ! এই নাও এক হাঁড়ি রসগোল্লা!"

🖼️ ছবি ৪: গোপাল সব রসগোল্লা খেয়ে হাঁড়ি হাতে দাঁড়িয়ে আছে।

😂 গোপালের কথার বুদ্‌বুদ:
"মহারাজ, রসগোল্লা শেষ! এবার আরও একটু মিষ্টি কথা বলবেন?"
use this video https://youtu.be/thnDxFdkzZs?si=1hseuSdwoFAmKLF8 to make me a cartoon character going thru a portal then when I got out I was in democritus time. Walk me through history watching how atomic theory developed over time. mention names, years, and names of the models, until I get back to the present day where the quantum model exists. make me a boy with curly hair and glasses
Create a professional Indian manga-style comic book pages with cinematic storytelling.

Title: [YOUR TITLE]

Genre: [Action / Romance / Mystery / Horror / Fantasy / Comedy]

Main Character:
- Name: [NAME]
- Age: [AGE]
- Appearance: [HAIR, EYES, CLOTHING, BODY TYPE]
- Personality: [PERSONALITY]
- Special ability: [ABILITY]

Story:
[WRITE YOUR STORY HERE]

Create the page in traditional manga comic-book style:
- Black and white ink artwork
- Detailed Japanese manga line art
- Strong facial expressions
- Dynamic action poses
- Dramatic camera angles
- Cinematic lighting and shadows
- Speed lines and impact effects where appropriate
- Detailed backgrounds
- Professional manga panel composition
- Clear panel-to-panel storytelling
- Speech bubbles with natural dialogue
- Japanese manga-inspired typography
- Screentone shading
- Detailed eyes and hair
- Consistent character appearance throughout every panel
- High-quality professional comic illustration
- Clean ink lines
- Rich environmental details
- Emotional and cinematic atmosphere

Page Layout:
Create 6 panels:
Panel 1: Establish the location and introduce the scene.
Panel 2: Show the main character and their reaction.
Panel 3: Introduce the conflict/problem.
Panel 4: Show an intense action or emotional moment.
Panel 5: Build suspense and reveal something important.
Panel 6: End with a dramatic cliffhanger.

Make all characters visually consistent between panels.
Keep speech bubbles readable and correctly positioned.
Use manga-style composition, dramatic perspective, expressive faces, and detailed backgrounds.
No random text, no distorted faces, no extra fingers, no duplicated characters.
High-detail professional manga comic page, print-quality, vertical composition.
Johnny wakes up as Super Poop.
As Jonathan slowly became awake, and after he had opened his eyes he had realized he was floating 3 feet above his bed.  As he fully woke he fell to his bed.  Then he jumped up in terror as he turned to face the mirror to see his own unrecognizable reflection.  What was once Jonathan is now a super turd, in a toilet cape.  Then, if it couldn't get any worse he was breaking out in corn kernels (the night before he had cabbage rolls with extra corn for supper).
a boy cold jake became super hero thanks to experiment, his powers are hand claws, healing factor, super speed.
Nagsimula ang kuwento sa pamilyang Bartolome, na binubuo nina Amanda at Julian at ng kanilang limang anak na lalaki. Sa simula, ipinakita ang kanilang pang-araw-araw na buhay at ang papel ni Amanda bilang ina at maybahay. Habang tumatagal, naging mas malinaw ang pangunahing tunggalian: ang pagkakakulong ni Amanda sa mahigpit na pamamalakad ng kaniyang asawa at ang kaniyang pagnanais na makalaya. Lalong naging mabigat ang tensiyon nang magsimulang makilahok ang kanilang mga anak sa mga usaping panlipunan at pampulitika noong panahon ng Batas Militar. Dahil dito, dumami ang mga pagsubok na kinaharap ng pamilya at nagsimulang magbago ang pananaw ni Amanda tungkol sa kaniyang sarili, sa kaniyang pamilya, at sa lipunang kaniyang ginagalawan.
# 📚 Le premier jour à Henri-Bourassa

C’était le **27**, le premier jour des élèves de secondaire 1 à l’école **Henri-Bourassa**. Les élèves de secondaire 2, 3, 4 et 5 arrivaient le lendemain.

Esther était dans le **stationnement des voitures**, un peu à côté de l’école et assez loin du bâtiment.

Soudain, elle entendit une cloche.

**Esther :** « Oh non ! Je suis en retard ! »

Elle se mit à courir du stationnement jusqu’à l’école Henri-Bourassa.

Mais une fois arrivée, elle réalisa quelque chose.

**Esther :** « Attends… c’était pas la cloche de mon école ? »

La cloche venait en fait de **l’école primaire à côté**.

**Esther :** « Ah… d’accord. 😭 »

Elle entra ensuite dans l’école et alla vers son casier.

Esther essayait d’ouvrir son cadenas, mais elle n’y arrivait pas.

Un garçon qui travaillait à la sécurité arriva.

**Agent de sécurité :** « Tu as besoin d’aide ? »

**Esther :** « Oui, je n’arrive pas à ouvrir mon cadenas. »

Il l’aida à ouvrir le cadenas.

**Esther :** « Merci ! »

Après ça, Esther se demanda ce qu’il fallait apporter pour les cours.

Elle alla demander à quelques élèves.

**Esther :** « Excusez-moi, vous savez ce qu’il faut apporter pour les cours ? »

**Élève :** « Un agenda. »

**Esther :** « Ah, un agenda. D’accord ! »

Esther ne savait pas encore qu’il fallait aussi apporter les cahiers nécessaires pour les différents cours.

Elle avait seulement **son agenda et sa trousse**.

---

## 🍽️ À la cafétéria

Les élèves de secondaire 1 devaient ensuite aller à la cafétéria.

Esther entra dans la cafétéria avec les autres élèves.

Elle devait trouver son groupe : **113**.

Le numéro **113** était écrit sur sa feuille et aussi dans son agenda.

**Esther :** « Il faut que je trouve le 113… »

Elle regarda autour d’elle.

**Esther :** « Où est le 113 ? »

Puis elle aperçut un carton avec le numéro.

**Esther :** « Ah ! Voilà le 113 ! »

Elle alla s’asseoir avec le groupe 113.

Esther regarda autour d’elle et remarqua qu’elle connaissait seulement **Jessica**, une fille qu’elle connaissait déjà de son ancienne école.

Puis une amie qu’Esther n’avait pas vue depuis longtemps apparut et vint s’asseoir.

C’était **Marlie**.

**Esther :** « Marlie ?! »

**Marlie :** « Esther ! »

Marlie s’assit avec le groupe.

---

## ➗ La classe de maths

Comme les élèves ne connaissaient pas encore bien l’école, ils ne pouvaient pas se déplacer seuls.

La **prof de maths** vint chercher le groupe 113.

**Prof de maths :** « Allez, venez avec moi ! »

Le groupe suivit la prof dans les corridors jusqu’à sa classe de maths.

Une fois dans la classe, la prof de maths demanda à Esther de venir devant.

**Prof de maths :** « Esther, viens devant et présente-toi. »

Esther alla devant la classe.

Elle était gênée, mais elle se présenta.

**Esther :** « Je m’appelle Esther… J’aime… et je viens de… »

Elle expliqua ce qu’elle aimait et d’où elle venait.

Puis elle retourna à sa place.

---

## 🍽️ Quelques heures plus tard

Quelques heures plus tard, le groupe retourna à la cafétéria avec la prof de maths.

Cette fois, la prof de maths alla voir **un autre groupe**.

Un monsieur arriva auprès du groupe 113.

**Monsieur :** « Vous allez rester ici et attendre que la cloche sonne. »

Les élèves attendirent.

Puis…

**DRIIING ! 🔔**

La cloche sonna.

Comme les élèves ne connaissaient toujours pas bien l’école, ils ne pouvaient pas aller seuls à leur classe.

Le monsieur allait donc se déplacer avec eux.

**Monsieur :** « Allez, venez avec moi. »

Le groupe suivit le monsieur dans les corridors jusqu’à la classe d’anglais.

---

## 🇬🇧 La classe d’anglais

Esther entra dans la classe d’anglais.

La prof regarda Esther et remarqua qu’elle n’avait pas son cahier.

**Prof d’anglais :** « Miss, why don’t you have your notebook? »

**Esther :** « I don’t have it. »

**Prof d’anglais :** « It’s okay. It’s the first day. »

**Esther :** « Okay. »

Esther retourna à sa place avec **son agenda et sa trousse**.

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# 💚 Alisha

Pendant la journée, Esther pensait aussi à **Alisha**.

Esther et Alisha se connaissaient depuis la **prématernelle**.

Elles avaient été ensemble en :

* prématernelle
* maternelle
* deuxième année
* troisième année

Mais elles n’avaient pas été ensemble en :

* première année
* quatrième année
* cinquième année
* sixième année
* secondaire 1, au début de l’année

Même lorsqu’elles n’étaient pas dans la même classe à l’école primaire, elles traînaient ensemble pendant les récréations.

Mais au secondaire, c’était différent.

Il n’y avait plus les mêmes récréations qu’à l’école primaire. Il y avait des **pauses**, et le dîner était de **11 h 09 à 12 h 24**.

Esther pensait à son amie.

**Esther :** « Ça fait longtemps que je l’ai pas vue… »

Elle voulait vraiment pouvoir être avec Alisha dans sa classe.

---

# 👭 Quelques jours plus tard

Quelques jours plus tard, Esther commença à traîner avec **Marlie** et une nouvelle fille appelée **Nourra**.

Esther et Nourra s’étaient rencontrées et s’étaient simplement dit :

**Esther :** « Allô ! »

**Nourra :** « Allô ! »

Elles commencèrent ensuite à parler et devinrent amies.

Esther traînait donc avec **Nourra et Marlie**.

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# 🤔 « Quelle Alisha ? »

Quelques jours passèrent.

Dans plusieurs classes, les profs n’arrêtaient pas de dire le nom **Alisha**.

Esther commença à se poser des questions.

**Esther :** « Quelle Alisha les profs parlent ? »

Elle réfléchit.

**Esther :** « C’est peut-être l’autre fille qui s’appelle Alisha. »

Mais elle trouvait ça quand même bizarre.

**Esther :** « C’est quand même bizarre… Ma meilleure amie s’appelle Alisha. »

Puis, quelques jours plus tard, la porte de la classe s’ouvrit.

Et là, Esther vit **Alisha** entrer.

**Esther :** « Alisha ?! »

Esther venait de comprendre.

**Esther :** « Alisha, tu es dans ma classe ?! »

Puis elle lui dit :

**Esther :** « Bienvenue dans ma classe ! »

Esther était tellement excitée de pouvoir enfin traîner avec Alisha à l’école.

Après toutes ces années, elles allaient finalement être **dans la même classe pendant leur secondaire 1**.

**Esther :** « Enfin ! On est dans la même classe ! 😭💚 »

---

# ⏰ La fin

Quelques jours plus tard, Esther, Alisha, Marlie et Nourra traînaient ensemble.

Mais elles commencèrent à remarquer certaines choses dans l’attitude de Nourra.

Quand elles marchaient tranquillement dans les corridors, Nourra disait souvent :

**Nourra :** « Mais vite les filles ! On n’a pas assez de temps ! »

Esther, Alisha et Marlie marchaient pourtant normalement.

Et en classe, il arrivait parfois qu’Esther cache une partie du tableau à Nourra parce qu’Esther était grande.

Un jour, Nourra ne voyait pas bien le tableau.

**Nourra :** « Je vois pas ! »

Esther se retourna vers elle.

**Esther :** « Mais pourquoi tu peux pas le dire gentiment ? C’est pas ma faute si je suis grande et que toi, t’es petite. Tu peux juste me dire que tu vois pas le tableau, au lieu de le dire comme ça. »

Alisha et Marlie étaient d’accord avec Esther.

Ce n’était pas seulement cette situation : Nourra était souvent pressée et parlait parfois de façon brusque.

C’est pour ça qu’Esther, Alisha et Marlie n’aimaient pas trop son attitude.

Et c’est ainsi que se termina l’histoire du début de cette nouvelle année scolaire à Henri-Bourassa.

# **FIN 💚**
THE MONGERING — PAGE 12: THE RUMOR. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Lena outside the lost storefront, peering through glass at the chain's construction. A neighbor beside her, chatty, certain. Neighbor (speech balloon): "I heard about the inspection thing. It's not my fault, I'm just saying what I heard."

Panel 2: Douglas across the street, looking at a property listing on his phone — then looking up, caught by the words. A passerby's cigarette smoke curling between them — subtle, deniable.

Panel 3: Douglas crossing to them, easy, curious — not confrontational. Douglas (speech balloon): "Inspection thing? Who told you that, exactly?"

Panel 4: The neighbor blinking. The certainty wobbling. Neighbor (speech balloon): "...I don't... someone at the— you know, people were saying—" Caption: "No source. Just whispers. Douglas had seen this shape before. Yesterday. At a bus stop."

Render all speech and caption text exactly as written, with perfect spelling.
Comic title: The Mongering. Page 1: "IT FEELS LIKE IT'S ALWAYS BEEN LIKE THIS".

Panel 1: Dark noir graphic-novel illustration, rain-soaked fictional American city, heavy shadows, cold blue-teal palette with warm amber streetlight accents. Ordinary people, ordinary streets. No monsters, no creatures, no text inside the art except where noted. Wide aerial view of the rainy city at dusk, gray and still, rain streaking the sky, nothing moving. One thin curl of smoke rising from a rooftop vent in the upper right — extremely subtle, barely visible, almost imperceptible. Caption box: "Nobody can say when it started."

Panel 2: Same noir style. Close on a diner window, rain beading on the glass. Inside the diner, a wall clock reading 9:04, second hand frozen — plain background set dressing, not emphasized. Caption box: "That's the worst part."

Panel 3: Same noir style. Street level: commuters crossing the street, all walking slightly too slow, faces blank, umbrellas dripping rain. Caption box: "It feels like it's always been like this."

Panel 4: Same noir style. Close on a young man's phone screen showing a missed call notification reading "Interview — 9:00 AM". His thumb hovers over the screen; he doesn't call back. Caption box: "Like the city exhaled once… and never breathed in again."
Comic title: The Mongering. Page 1: "IT FEELS LIKE IT'S ALWAYS BEEN LIKE THIS".

Panel 1: Dark noir graphic-novel illustration, rain-soaked fictional American city, heavy shadows, cold blue-teal palette with warm amber streetlight accents. Ordinary people, ordinary streets. No monsters, no creatures, no text inside the art except where noted. Wide aerial view of the rainy city at dusk, gray and still, rain streaking the sky, nothing moving. One thin curl of smoke rising from a rooftop vent in the upper right — extremely subtle, barely visible, almost imperceptible. Caption box: "Nobody can say when it started."

Panel 2: Same noir style. Close on a diner window, rain beading on the glass. Inside the diner, a wall clock reading 9:04, second hand frozen — plain background set dressing, not emphasized. Caption box: "That's the worst part."

Panel 3: Same noir style. Street level: commuters crossing the street, all walking slightly too slow, faces blank, umbrellas dripping rain. Caption box: "It feels like it's always been like this."

Panel 4: Same noir style. Close on a young man's phone screen showing a missed call notification reading "Interview — 9:00 AM". His thumb hovers over the screen; he doesn't call back. Caption box: "Like the city exhaled once… and never breathed in again."
Create a cute, colorful Japanese manga scene about an 11-year-old girl named Haifa.

Haifa has long, soft, straight dark brown hair with subtle black tones, reaching the middle of her back. She has warm brown eyes, wheat-colored skin, and a cute youthful face. She is wearing a beautiful cute dress suitable for an 11-year-old girl.

The story begins with Haifa going on a family trip. Her family tells her they are going to stay for two days at a beautiful private house with a swimming pool.

Haifa is very excited about the trip, but she does not know that her family is secretly preparing a birthday surprise for her.

Create 4 manga panels:

Panel 1:
Haifa is traveling with her family in a car. She looks excited and happy while looking through the window at the scenery.

Panel 2:
The family arrives at a beautiful private house with a swimming pool and a lovely outdoor area. Haifa looks at the house with excitement.

Panel 3:
Haifa explores the house happily, while her family secretly exchanges excited smiles behind her because they are hiding the birthday surprise.

Panel 4:
Haifa notices something slightly unusual and looks curious, while her family tries to act normal. Do not reveal the birthday surprise yet.

Style: cute colorful Japanese manga, soft anime appearance, warm colors, expressive facial expressions, clean line art, beautiful backgrounds, joyful family atmosphere, playful and heartwarming mood.

Keep Haifa's appearance consistent in all four panels. She must clearly look 11 years old, not older.

Use short natural dialogue in speech bubbles only when necessary.
THE MONGERING — PAGE 19: THE NUMBER. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Douglas looking up at the clock tower: 9:04. He checks his own watch — correct time. Taps it. Frowns. Caption: "But the clocks never moved."

Panel 2: The street, too quiet. A stranger's small talk drifting past, light as nothing: Stranger (off-panel): "...some people have all the luck..."

Panel 3: Douglas in the rain, turning toward the empty edge of the street — toward something that isn't there. Chimney smoke curling upper right — subtle, buried.

Panel 4: Wide. Him alone in the middle of the dead street, rain coming down, the city holding its breath around him. Caption: "Something is wrong with this city. Nobody knows what it is."

Render all speech and caption text exactly as written, with perfect spelling.
landscape about the *1986 EDSA People Power Revolution*, told in *first-person POV* from the perspective of a young girl Filipino. 

1. *Before the Event* – I notice that many Filipinos are worried about the situation in the country.
2. *The Call for Change* – I decide to go to EDSA and see the peaceful gathering for myself.
3. *Unity and Hope* – I see thousands of Filipinos standing together and realize the strength of unity.
4. *The Turning Point* – I hear the news that *Marcos has left*, and I realize that the people’s efforts made a difference.
5. *After the Event* – I look at the EDSA monument and reflect on what I witnessed.
6. *Looking Back* – I remember the courage and unity of the Filipinos who participated.
7. *The Lessons* – I learn that change is possible when people care, speak up, and work together.
8. *A Reminder* – I realize that the EDSA Revolution is not only history but also a reminder that every Filipino has a voice.
9. *Final Panel* – I end my story by looking at the EDSA monument and remembering the importance of freedom, unity, and democracy.
THE MONGERING — PAGE 17: THE ONE WHO STAYED. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. 4 panels.

Panel 1: Dre's apartment. Curtains drawn. TV static glow. Dre on the couch, alone.

Panel 2: Dre whispering to no one, smiling a smile that doesn't reach his eyes. Dre (small text): "Must be nice..."

Panel 3: The apartment door. From the hallway: faint whispering, then quiet. The door stays closed. Caption: "Some doors don't open from the outside."

Panel 4: Dre's face in the TV static light. Still smiling. Caption: "He was never pulled back. Remember him."

Render all speech and caption text exactly as written, with perfect spelling.
Love story