Community Comics

Wit Comics

Made by the community on Comic Maker

The capybara finds a door, opens it and discovers a lost artifact
The capybara finds a door and opens it and finds a glowing antient artifact
Gru decides to buy a morphing machine instead of a gun to become his capybara
the morphing machine destroys the galaxy but not capybara Gru and his capybara and his among us pet
When a guarded 38-year-old creative manager and her 28-year-old colleague fall in love, they must navigate office gossip, societal judgment, and the shadows of her abusive past—only to discover that love that's patient, devoted, and unwavering can overcome anything.
edit what red looks like in panel 3
edit how Gru and red look like
edit what red looks like in panel 6
part two in the same book?! cool another round of among us starts, then green is the imposter but red gets voted out
After many years of hard work, and 2 kids later Misty runs her own Hotel and has two great kids and her parents are so proud of all she has accomplished.Happy Birthday Misty
a superhero named super M and hes a  staffy and he comes out of a sun cause he was born there and he gets out and lands on earth and the justice league see him and mistake him for a villain cause hes just standing there little do they know hes extremely powerful as he has laser vision and insane durability and flying and more and after beating the justice league he joins them cause he was nice
1st panel: Randy and Fred are two big men that are rock and roll musicians. They are happily listening to Bachman Turner Overdrive on the radio. They are driving in California but their license plate says "Friendly Manitoba". 2nd panel: An 18 wheel truck pulls in front of them and begins to slow down. 3rd panel: They want to pass the truck but a second truck pulls up next to them blocking them. 4th panel: A third truck pulls up behind them completely blocking them. 5th panel: Randy and Fred are turn red with anger. 6th panel: The truckers pull into a rest stop forcing Randy and Fred to do the same. 7th panel: Randy and Fred jump out of the car ready for a fight - until they see that there are 6 truckers and all of them are even bigger than they are. 8th panel: Randy and Fred calm down and politely ask "Why did you box us in?" 9th panel: The lead trucker says: :We saw your license plate and decided to see how friendly you really are. Why don't you just Let it Ride!"
Create a 4-panel newspaper comic strip in Portuguese about a school science experiment with a baking soda and vinegar volcano. Show the materials, the preparation, the foamy eruption, and a simple scientific explanation of carbon dioxide gas. Use simple cartoon drawings, clear speech bubbles, and short Portuguese dialogue. Make it colorful and easy for a student to copy by hand.
use this video https://youtu.be/thnDxFdkzZs?si=1hseuSdwoFAmKLF8 to make me a cartoon character going thru a portal then when I got out I was in democritus time. Walk me through history watching how atomic theory developed over time. mention names, years, and names of the models, until I get back to the present day where the quantum model exists. make me a boy with curly hair and glasses
So this boy named Miguel just moved from Japan with his family but then when he arrives at he’s new school in New York called Manhatman Highschool he’s bullied and jamal (black,plays basketball and mean ) is his main bully but this girl named Cory stands up for him then they become friends and get closer but then in the science lab one month later an accident happens then Miguel turns invisible then to be continued
the capybara meets this guy
TOGLI OCCHI E BOCCA DAL CUORE CHE DEVE RIMANERE SOLO ROSSO, LE MANI SONO DEI FIORI CON GRANDI PETALI E LE SCARPE SONO DELLE NUVOLE BLU,
Father and daughter are on a trip to a science experiment presentation. Daughter wonders off in the middle of the experiment and walks into an empty chamber, father notices that daughter isn't with him and sees his daughter going inside the chamber. Before father can run to pull daughter out, the chamber door closes shut. Daughter is scared and shouts for her father. The chamber and machines begin to turn on, in the center of the chamber three different species of reptiles rise from the floor of the chamber. A boa constructer python, king cobra, and chameleon.
Johnny wakes up as Super Poop.
As Jonathan slowly became awake, and after he had opened his eyes he had realized he was floating 3 feet above his bed.  As he fully woke he fell to his bed.  Then he jumped up in terror as he turned to face the mirror to see his own unrecognizable reflection.  What was once Jonathan is now a super turd, in a toilet cape.  Then, if it couldn't get any worse he was breaking out in corn kernels (the night before he had cabbage rolls with extra corn for supper).
On the first panel there is only the title:
"O que os olhos não veem, o coração não sente."

On the second panel, a white politian in suit is sitting on a desk, writting on a piece of paper, and saying: "É só tirar quem investiga e colocar meus amigos que, em um ano, acabo com a corrupção no Brasil."

On the third panel, a crowed gathers and happily shants: "Mito!"

On the fourth panel there is only these writtings, in a somber tone: "Para quem não tem senso crítico, o investigador parecerá sempre o mais corrupto, pois onde quer que ele atue, um escândalo vem à tona."
Create a colorful educational comic for Grade 5 English learners.
Theme: “Describing People”.
A friendly detective comes to a classroom and asks children to help him find a mystery person.
Teach the phrases “He has got…” and “She has got…”.
Include blue, green and brown eyes; long, short, curly and straight hair; fair and dark hair.
Use simple A1-level English, large readable speech bubbles and friendly cartoon characters.
Make the story 7 pages long
A master matchmaker who's never known love must save his 100th couple while questioning whether helping others find happiness is worth sacrificing his own.

The True-Heart Charmer is Eternal Sunshine of the Spotless Mind meets The Good Place—a story about what happens when the person who fixes everyone else's heart finally asks: "What about mine?"
Isaac Newton finds an apple, he picks it up, and he drops it, he tries picking up a bowling ball and he struggles, he drops it and it makes a dent in the ground. Then Isaac Newton says "Hm maybe what is in-ner-tia, inertia, Because the law of INERTIA since the apple has less mass it will be easier to pick up but because the bowling ball has more mass is it harder to pick up.
Comic Strip Title: "AI Wisdom"

Panel 1: Scene: A lion lounging under a tree with a tablet. A zebra walks by, curious.

Lion: Did you know AI learns from prompts?

Panel 2: Scene: Zebra tilts its head, intrigued.

Zebra: Prompts? Like asking for directions?

Panel 3: Scene: Lion grinning mischievously.

Lion: More like, “Hey AI, tell me a joke about lions!”

Panel 4: Scene: Zebra laughs, rolling its eyes.

Zebra: Just wait! It’ll probably say, “Why did the lion eat the zebra? Because it couldn’t find a prompt!”

Caption: AI: Always learning, sometimes funny!
THE MONGERING — PAGE 5: THE CITY BREATHES WRONG. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. 4 panels.

Panel 1: A subway car stopped in a dark tunnel between stations. No announcement. Passengers stare at nothing. A small inconspicuous car clock in the background reads 0:49 — background set dressing, not the focus.

Panel 2: An open-plan office. Rows of workers at screens. Nothing typed. A wall clock in the background reads 9:04 — inconspicuous background set dressing.

Panel 3: A park in the rain. A child's red balloon caught in a tree branch — perfectly still, though the trees bend in wind. The balloon's string hangs in a strange, slow curl — subtle, deniable. Caption: "Stagnation isn't dramatic. It's quiet."

Panel 4: The balloon, closer. Still. Caption: "That's what makes it so hard to see."

Render all caption text exactly as written, with perfect spelling.
Title: Page 4 — Lena. Black-and-white noir comic with teal and amber accents, rainy night mood. 4 panels.

Panel 1: Lena, a young woman in a bakery apron with flour on her hands, stands glowing with hope in an empty storefront she is about to lease. The name "MABEL'S" (her late mother's name) is painted on the glass. Dialogue — LENA: "Sign tomorrow. It's really happening."

Panel 2: Phone call. Her friend's voice is casual and light. Dialogue — FRIEND (phone): "Heard the building failed inspection, though. Some people have all the luck, huh?"

Panel 3: Lena at her laptop, searching. Nothing. No inspection report. No source. Just a forwarded message of a forwarded message. Dialogue — LENA (small): "…who told you that?"

Panel 4: The same storefront a week later. A chain coffee banner going up over MABEL'S. Lena across the street, holding an unsigned lease. Caption: "Shattered opportunity. Same city. Same week."
THE MONGERING — PAGE 16: HOLDING THE LINE. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Douglas in his doorway at night, the key in his hand, looking out at the rain. Caption: "What he owns. What he's built. What he's grateful for."

Panel 2: Close on his face — decided. Douglas thinking (thought bubble): "One person. One decision. That's where it gets in."

Panel 3: Him stepping out into the rain, shoulders square. Douglas thinking (thought bubble): "So that's where I'll be."

Panel 4: Night. A notebook on his desk. His hand writing two names: MARCUS. LENA. Caption: "The ledger begins. Not of what was taken — of who was pulled back."

Render all speech, thought and caption text exactly as written, with perfect spelling.
an open window looks out into a city the words MESAI appear in it before disapearing then it zooms out and shows that the open window belongs to a bedroom a stereo system from 2009 shows the tiem 7 am then soft music starts playing not long after it starts playing a hand from the right side of the stereo pops out and turns it off the hand flops down hanging off a bed
THE MONGERING — PAGE 17: THE ONE WHO STAYED. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. 4 panels.

Panel 1: Dre's apartment. Curtains drawn. TV static glow. Dre on the couch, alone.

Panel 2: Dre whispering to no one, smiling a smile that doesn't reach his eyes. Dre (small text): "Must be nice..."

Panel 3: The apartment door. From the hallway: faint whispering, then quiet. The door stays closed. Caption: "Some doors don't open from the outside."

Panel 4: Dre's face in the TV static light. Still smiling. Caption: "He was never pulled back. Remember him."

Render all speech and caption text exactly as written, with perfect spelling.
Rin, reincarnated into the world of Pokémon, beat Pokémon ZA, along with several other Pokémon games before being reincarnated into the Pokémon world. He had access to all the Pokémon he collected over the years. He had access to Pokémon Home. More importantly, he reincarnated in Pallet Town, and he remembered all the Pokémon he caught over the years. He had the legendary birds, the legendary dogs, Kyogre, Groudon, Lugia. He had collected all the legendaries from every game, including Mew, Mewtwo. However, this time he was thinking about using a complete fossil team: his Kabutops, his Helix fossil, his Tyrantrum fossil. He had a lot of fossil Pokémon to choose from. His parents offered to get him a starter. He said no need. He had one in mind and chose Armaldo as his starter, which his Armaldo is a five-star Armaldo, perfect IVs, EVs, and an absolute powerhouse. Also it was level five, but he needed to go over to Professor Oak's to get the Pokédex. No open quotes, just full one story.
about the *1986 EDSA People Power Revolution*, told in *first-person POV* from the perspective of a young Filipino.

1. *Before the Event* – I notice that many Filipinos are worried about the situation in the country.
2. *The Call for Change* – I decide to go to EDSA and see the peaceful gathering for myself.
3. *Unity and Hope* – I see thousands of Filipinos standing together and realize the strength of unity.
4. *The Turning Point* – I hear the news that *Marcos has left*, and I realize that the people’s efforts made a difference.
5. *After the Event* – I look at the EDSA monument and reflect on what I witnessed.
6. *Looking Back* – I remember the courage and unity of the Filipinos who participated.
7. *The Lessons* – I learn that change is possible when people care, speak up, and work together.
8. *A Reminder* – I realize that the EDSA Revolution is not only history but also a reminder that every Filipino has a voice.
9. *Final Panel* – I end my story by looking at the EDSA monument and remembering the importance of freedom, unity, and democracy.
THE MONGERING — PAGE 20: THE LINE. A single full-page noir comic composition in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit.

Full-page composition: Douglas in the rain, foreground, turned toward the empty edge of frame. Behind him the stagnant city, blurred figures, shuttered shops. A chimney smoke curl. Everything normal. Nothing right.

Captions placed across the page, rendered exactly as written:
"Nobody can say when it started. That's the worst part."
"But tonight, one man is listening."
"The city holds its breath. Douglas holds the line."
"One person. One decision. One rescue at a time."

Final line at the bottom of the page: "THE MONGERING WILL CONTINUE..."

Render all caption text exactly as written, with perfect spelling.
Gumawa ng 6-8 panel comic strip na nagpapakita ng isang sitwasyon kung saan ginagamit ng tauhan ang isip at kilos-loob upang gumawa ng isang makataong kilos. Ipakita rin ang kaniyang pagpapasya, kilos, bunga, at pananagutan.
Dapat Makita:
Sitwasyon Ano ang nangyari?
Isip - Ano ang pinag-isipan?
Kilos-loob - Ano ang nais niyang piliin?
Pagpapasya - Ano ang kaniyang pinili?
Pagkilos - Ano ang kaniyang ginawa?
Kahihinatnan - Ano ang naging bunga?
Pananagutan - Paano niya hinarap ang bunga ng kaniyang kilos?
Layunin: Maipakita sa malikhaing paraan kung paano nagiging makataong kilos ang isang kilos kapag ito ay alam, pinag-isipan, malayang pinili, at isinagawa. dapat hindi  sya ung sa wallet like ibang scenario like katulad ng nasa klase tas natutulog ganon
Viñeta 1: El profesor presenta el debate: “¿Debería ser obligatorio usar uniforme?”

Viñeta 2: Un estudiante dice que el uniforme ayuda a mantener la igualdad entre los estudiantes.

Viñeta 3: Otro estudiante piensa que cada persona debería poder elegir su ropa.

Viñeta 4: Los estudiantes presentan sus argumentos y escuchan diferentes opiniones.

Viñeta 5: El profesor invita a todos a reflexionar sobre ambas posturas.

Viñeta 6: Los estudiantes concluyen que es importante escuchar y respetar opiniones diferentes.

Intención comunicativa

Presentar diferentes puntos de vista y demostrar cómo un debate puede ayudar a desarrollar una capacidad crítica.
Issue #2, Page 2: Testing Patience
• Panel 1
	• Visual: A messy workshop room. The young dragon is now the size of a large puppy. It is playfully chewing on a bundle of glowing computer wires, sparking wildly and causing a chaotic mess.
	• Kid 1 (Panicked): "No, stop! Those are the primary server cables!"
• Panel 2
	• Visual: Close-up of another kid pulling back the first kid's hand before they yell, taking a deep, calm breath instead.
	• Kid 2: "Wait, don't shout. It's just a baby exploring. We have to be patient."
• Panel 3
	• Visual: The kid kneels down to the dragon's eye level, holds out a proper rubber toy, and types into a handheld prompt device: "We don't chew on wires, but you can play with this instead."
	• SFX: Click-clack (typing)
• Panel 4
	• Visual: The dragon drops the wires, sparks fading. It happily grabs the toy with its jaws, wagging its tail. The kids sigh in relief as a gentle blue light glows around the dragon's horns, signaling a lesson learned.
	• Caption: Patience changes everything. A lesson for the dragon, and a reminder for the Guardians.
THE MONGERING — PAGE 8: TWO CONVERSATIONS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard. 4 panels.

Panel 1: Memory flash — a warm kitchen, years ago, slightly golden. Douglas as a young boy. His father, tired but certain, hand on his shoulder. Father (speech balloon): "Listen to what they mean, son. Not what they say."

Panel 2: Back in the coffee shop. The stranger's line rendered twice: her normal speech balloon, and beneath it a dark translucent echo-balloon with the same words, heavier, wrong. Echo-balloon text: "Some people have all the luck."

Panel 3: Close on Douglas's eyes. He gets it — not the meaning, just the fact of it. Douglas thinking (thought bubble): "Everyone else heard small talk."

Panel 4: Him looking toward the door the strangers left through. Empty. Douglas thinking (thought bubble): "I heard two conversations."

Render all speech and thought text exactly as written, with perfect spelling.
he Lost English Diary
One sunny morning, Gumball and Darwin went to school. Gumball suddenly opened his backpack and shouted, “Oh no! My English diary is missing!”
Darwin looked worried. “We need that diary! All our English words are inside!”
They searched the classroom, the school yard, and even the cafeteria. Suddenly, Darwin saw a blue notebook under a tree.
“Gumball! I found it!” he cried.
Gumball opened the diary and smiled. “Yes! Our words are safe!”
But then Darwin noticed something strange. Page 6 was completely empty!
“Oh no! We forgot to write our new words!” said Darwin.
Gumball took a pencil, and they quickly wrote the words together. They were happy because they had found their diary and learned an important lesson: always check your backpack!
The End.
Comic title: The Mongering. Page 2: MARCUS.

Panel 1: Dark noir graphic-novel illustration, rain-soaked fictional American city, heavy shadows, cold blue-teal palette with warm amber streetlight accents. Ordinary people, ordinary streets. No monsters, no creatures, no text inside the art except where noted. Morning. Marcus (late 20s, tired eyes, wrinkled button-down shirt, tie crooked, holding a resume folder) at a bus stop, resume folder clutched. A bus pulls away; he doesn't move to chase it. Small SFX text in the panel: "hiss… gone."

Panel 2: Same noir style. Flashback, dim apartment. Dre (unshaven roommate) on a couch, not looking up from his phone. Speech bubble from Dre: "Must be nice, getting interviews handed to you."

Panel 3: Same noir style. Back at the bus stop. Marcus staring at his shoes. Rain starting. Small speech bubble from Marcus: "It's not my fault."

Panel 4: Same noir style. The empty street where the bus was. Marcus still standing there. A clock on the bus shelter reading 5:17 — plain background set dressing, not emphasized. Caption box: "Missed opportunity #1."
THE MONGERING — PAGE 6: DOUGLAS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Morning. A modest, well-kept hallway. On a hook by the door: a single house key. Caption: "Douglas."

Panel 2: Douglas takes the key, touches it once — a small ritual. On the wall: a worn framed photo of his parents, young and smiling. He straightens it. Caption: "What he owns. What he's built. What he's grateful for. Every morning, in that order."

Panel 3: Douglas stepping out into the rain in his dark suit — the only person on the street walking at full speed, shoulders square. Caption: "The constants. They hold him steady while the city drifts."

Panel 4: Him passing a bus stop. Marcus is there again — same spot, same frozen posture as yesterday, a young man with a damp resume folder. Douglas thinking (thought bubble): "That kid hasn't moved in two days."

Render all caption and thought-bubble text exactly as written, with perfect spelling.
Crie um quadrinho 2D moderno, dinâmico e com aparência profissional, dividido em 6 cenas.

Tema: uma pessoa comum descobrindo uma forma de começar no marketing digital.

Cena 1: Jovem sentado no quarto, olhando para o celular, preocupado com falta de dinheiro. Balão: “Eu preciso encontrar uma forma de ganhar uma renda extra.”

Cena 2: Ele encontra um conteúdo sobre marketing digital no celular. Balão: “Talvez eu possa começar pela internet.”

Cena 3: O jovem estudando pelo celular e anotando ideias em um caderno. Balão: “Primeiro preciso aprender.”

Cena 4: Ele começa a criar conteúdo e divulgar produtos como afiliado. Balão: “Agora vou colocar em prática.”

Cena 5: Aparece a primeira notificação de comissão no celular. O jovem fica surpreso e feliz. Balão: “Minha primeira comissão!”

Cena 6: O jovem mais confiante, trabalhando no computador. Texto final: “Comece pequeno. Aprenda. Aplique. Evolua.”

Estilo visual: quadrinho 2D, traços limpos, personagens expressivos, cores modernas, iluminação suave, composição cinematográfica, balões de fala bem posicionados, alta qualidade, formato vertical 9:16, sem aparência 3D.
THE MONGERING — PAGE 15: THE LEDGER GROWS. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit — who appears in Panel 4 only. 4 panels.

Panel 1: A wedding venue, empty. A cancelled sign on the door. A note below: "Called off — a misunderstood text." Caption: "A wedding, over one text nobody can produce."

Panel 2: A Little League field. An empty spot on the bench. A note: "Quit after a rumor about the coach." Caption: "A kid, over a rumor nobody started."

Panel 3: A corner shop with a "CLOSED TEMPORARILY" sign, months old. A clock tower behind it: 0:49 — inconspicuous background set dressing. Caption: "A shop. A team. A marriage. A bakery. A job."

Panel 4: A bar window, TV inside: "...economists can't explain the slowdown..." Douglas watching from the rain, jaw tight. Caption: "The city calls it a slump. Douglas is starting to call it something else. He just doesn't have the word yet."

Render all speech, signs and caption text exactly as written, with perfect spelling.
THE MONGERING — PAGE 11: WHAT IT COST THEM. A noir comic page in black-and-white with teal and amber accents, rainy noir cinematic look. Use the uploaded character reference for Douglas — a man with short dark hair and a beard, wearing a dark suit. 4 panels.

Panel 1: Douglas at his desk, late at night. The worn photo of his parents. He touches the frame. Caption: "They fought something they couldn't name."

Panel 2: Fragmented memory — his mother at a kitchen table, bills spread out before her, looking down at them with tired, worried eyes. A microwave clock in the background reads 4:04 — inconspicuous background set dressing. Caption: "It cost them everything they were building."

Panel 3: Fragmented memory — his father at a window, staring at nothing, young Douglas (12) in the doorway. Father (speech balloon): "We almost had it, son. We were *this* close."

Panel 4: Present. Douglas takes the key off its hook, holds it tight, breathes. Grounds himself. Caption: "He was twelve. He remembers the sound of a future leaving a house."

Render all speech and caption text exactly as written, with perfect spelling.